Zobrazeno 1 - 10
of 36
pro vyhledávání: '"Hideaki Fujiki"'
Autor:
Hideaki Fujiki
This chapter, the only one in Part I, first shows how the discourse of both bureaucrats and intellectuals began to recognize “the people” (minshū) as a “social problem” in connection with the rise of capitalism, riots, social movements, and
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ef8f6007bc409f11ac0637128e5b06f0
https://doi.org/10.1093/oso/9780197615003.003.0002
https://doi.org/10.1093/oso/9780197615003.003.0002
Autor:
Hideaki Fujiki
This chapter examines how discourses on television and film became intertwined with the three afore-mentioned theories in the context of a major reassemblage of transmedia consumer culture driven by the diffusion of television. In so doing, it illumi
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a6c9f4b722ad7bb35e9ad372a26f8ddd
https://doi.org/10.1093/oso/9780197615003.003.0007
https://doi.org/10.1093/oso/9780197615003.003.0007
Autor:
Hideaki Fujiki
This chapter provides a case study of independent film screening events by “citizens,” and explicates how such events have functioned as nomadic and porous sites serving to create a multilayered network of media, “citizens,” and their concern
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4e0e093df7bdb31aa1ed06adc64daa0c
https://doi.org/10.1093/oso/9780197615003.003.0009
https://doi.org/10.1093/oso/9780197615003.003.0009
Autor:
Hideaki Fujiki
This chapter focuses on the three influential scholarly and critical discourses on “the masses” during the postwar period: mass society theory, mass culture theory, and mass communication theory. It argues that while these three discourses had di
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::29c6235cd76ebceea9987f3bc0bfcac4
https://doi.org/10.1093/oso/9780197615003.003.0006
https://doi.org/10.1093/oso/9780197615003.003.0006
Autor:
Hideaki Fujiki
The Introduction situates this book’s approach to cinema audiences within two theoretical frameworks: analyzing cinema audiences in terms of the discursive creation of historically constituted social subjects such as “the people;” and using the
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d25d8c9fa6742f88893c4c799c5eb5ce
https://doi.org/10.1093/oso/9780197615003.003.0001
https://doi.org/10.1093/oso/9780197615003.003.0001
Autor:
Hideaki Fujiki
This chapter illuminates ways in which a kind of fantasy similar to that of “the national populace” was created for the whole of the Japanese empire through the circulation of the term “East Asian Race” (“tōa minzoku”). Critics, bureaucr
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e1550fe5e569fd50e1ce750b6b8b1996
https://doi.org/10.1093/oso/9780197615003.003.0005
https://doi.org/10.1093/oso/9780197615003.003.0005
Autor:
Hideaki Fujiki
This chapter concludes the book concludes with a re-examination of five overarching issues—the social subject, media ecology, the relation between media and place, the effect of media, and historiography—illustrating their similarities and differ
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::835993d5ffa1ac2057e3d729d48bde00
https://doi.org/10.1093/oso/9780197615003.003.0010
https://doi.org/10.1093/oso/9780197615003.003.0010
Autor:
Hideaki Fujiki
During the 1930s, “the national populace” (“kokumin”) was redefined and gained precedence over and gradually replaced the “the people” as the paradigmatic social subject of the period. This chapter clarifies how the meaning of “the nati
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f908dd3c359d235065c1ab42ee789e94
https://doi.org/10.1093/oso/9780197615003.003.0003
https://doi.org/10.1093/oso/9780197615003.003.0003
Autor:
Hideaki Fujiki
This chapter primarily analyzes discourses about the uniqueness of cinema, in order to elucidate how these discourses saw three levels of mobilizing people—first to mobilize them to watch national policy films, then to mobilize them to identify wit
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::dd9c3eccb94a7f91eab37b623a360cd3
https://doi.org/10.1093/oso/9780197615003.003.0004
https://doi.org/10.1093/oso/9780197615003.003.0004
Autor:
Hideaki Fujiki
This book explores the hundred-year history relationship between Japanese media and social subjects through an analysis of the connections between cinema audiences and five significant discursive terms: minshū (the people), kokumin (the national pop
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::0caf3b8fe63654fcfe595d265536c8e2
https://doi.org/10.1093/oso/9780197615003.001.0001
https://doi.org/10.1093/oso/9780197615003.001.0001