Zobrazeno 1 - 10
of 118
pro vyhledávání: '"Herbert Lindenberger"'
Autor:
Herbert Lindenberger
Setting opera within a variety of contexts - social, aesthetic, historical - Lindenberger illuminates a form that has persisted in recognizable shape for over four centuries. The study examines the social entanglements of opera, for example the relat
Autor:
Herbert Lindenberger
Publikováno v:
English Language Notes. 50:207-211
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::059784837a0461c525a07d981715804f
https://doi.org/10.1215/00138282-50.1.207
https://doi.org/10.1215/00138282-50.1.207
Autor:
Herbert Lindenberger
Publikováno v:
The Opera Quarterly. 25:97-123
(a) the standard dramatis personae of Italian Romantic opera—heroic tenor, yearning soprano, unpleasant and unsuccessful baritone, wronged and vengeful mezzo-soprano, loyal bass, plus these people’s various attendants. (b) the Romantic Middle Age
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d278bc794a4b1b8d0c25b7ec3aa3f931
https://doi.org/10.1093/oq/kbp024
https://doi.org/10.1093/oq/kbp024
Autor:
Herbert Lindenberger
Publikováno v:
Essays in Romanticism. 17:27-51
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::0d81574f997e26295b6a1916830321cc
https://doi.org/10.3828/eir.17.1.2
https://doi.org/10.3828/eir.17.1.2
Autor:
Herbert Lindenberger
Publikováno v:
Modern Language Quarterly. 69:586-589
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::66655f9e9f1b81a9a1f02e6c71b72d34
https://doi.org/10.1215/00267929-2008-024
https://doi.org/10.1215/00267929-2008-024
Autor:
Herbert Lindenberger
Publikováno v:
The Opera Quarterly. 22:546-557
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6d9be415aa4bc7c482ba78323016c0c5
https://doi.org/10.1093/oq/kbn013
https://doi.org/10.1093/oq/kbn013
Autor:
Herbert Lindenberger
Publikováno v:
Modernist Cultures. 3:84-93
Herbert Lindenberger regards the modern canon as “not quite opera” in its resistance to the theatricality of traditional opera, its forays into popular musical forms, and its use of imitation and parody to quote opera of the past. In his view, mo
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f07940bab94d7db329a48c7eda960c98
https://doi.org/10.3366/e2041102209000343
https://doi.org/10.3366/e2041102209000343
Autor:
Herbert Lindenberger
Publikováno v:
The Wordsworth Circle. 37:164-171
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::783b4c840485da50e60e81edb39e802a
https://doi.org/10.1086/twc24045123
https://doi.org/10.1086/twc24045123