Zobrazeno 1 - 9 of 9 pro vyhledávání: '"Helena Pinheiro de Melo"'
1
Akademický článek
What is the meaning of some of the marks incised in the back of Old panel paintings?
Autor: Helena Pinheiro de Melo, António João Cruz
Publikováno v: Conservar Património, Vol 26, Pp 91-101 (2017)
A bibliographic survey of incised marks of a rough appearance, creating straight parallel or intersecting lines, found on the back of Portuguese oak panel paintings is presented. Although Portuguese literature on this matter mostly suggests that thes
Externí odkaz: https://doaj.org/article/d73f554959dc4fb190d8bc76756a2bf8
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2
Akademický článek
The colours of a 16th century panel painting, from the church of Pavia (Mora, Portugal), attributed to Francisco João
Autor: Helena Pinheiro de Melo, António João Cruz
Publikováno v: Conservar Património, Vol 9, Pp 47-55 (2009)
The main altar of the church of Pavia (Mora, South of Portugal) shows a 16th century panel painting depicting The Conversion of Saint Paul attributed to Francisco João, a local painter, born in Évora, active in that region between 1563 and 1595. Wi
Externí odkaz: https://doaj.org/article/355619fe51b74eb184b65750504929d0
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4
The use of glass particles and its consequences in late 16th century oil painting: A Portuguese case based on the analytical results and the technical treatises
Autor: Helena Pinheiro de Melo, S. Valadas, António Candeias, Ana Cardoso, António João Cruz
Publikováno v: Journal of Cultural Heritage. 43:261-270
Colourless glass particles were identified for the first time in Portuguese paintings in two altarpieces attributed to the painter Francisco Joao, active between 1558 and 1595. They were found in red glazes with conservation problems. The glass was a
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::393471f50da11a7e9a2cfe5a2cdfef89
https://doi.org/10.1016/j.culher.2019.11.001
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5
What is the meaning of some of the marks incised in the back of Old panel paintings?
Autor: António João Cruz, Helena Pinheiro de Melo
Publikováno v: Conservar Património, Vol 26, Pp 91-101 (2017)
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Agência para a Sociedade do Conhecimento (UMIC)-FCT-Sociedade da Informação
instacron:RCAAP
Algumas marcas incisas, de caracter tosco e caracterizadas por linhas a direito, entrecruzadas ou paralelas, incisas no reverso dos suportes de madeira de pinturas antigas de coleccoes portuguesas, de que se apresenta o respectivo levantamento biblio
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::66df497b37a7835f17d15d8168057b5c
https://doi.org/10.14568/cp2017014
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8
Uma pintura desconhecida de Francisco Pinto Pereira (act. 1720-1752) descoberta no Palácio Nacional de Mafra
Autor: Agnès Le Gac, Helena Pinheiro de Melo, Gabriela Cordeiro
Publikováno v: Universidade Nova de Lisboa
Contextualização de uma pintura encontrada no Palácio Nacional de Mafra, cuja assinatura indica a autoria de Francisco Pinto Pereira, activo durante o Reinado de D. João V. O artigo aborda a produção deste pintor que contribuiu para a encomenda
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::344fce93c81ec5bdd0b8375f13ecd869
https://novaresearch.unl.pt/en/publications/8c04e3e6-f92f-4edd-8286-3e1d4fe154e2
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