Zobrazeno 1 - 10
of 117
pro vyhledávání: '"Helena Goscilo"'
Autor:
Helena Goscilo
Publikováno v:
Studies in 20th & 21st Century Literature, Vol 34, Iss 2 (2010)
Why has humankind approached the mirror with both awe and trepidation? What is a mirror and what does it do? If posed fundamentally, the questions yield answers more complicated than one might expect…
Externí odkaz:
https://doaj.org/article/ff71105abe854b15875d201e0c3dc6b5
Autor:
Helena Goscilo
Publikováno v:
Studies in 20th & 21st Century Literature, Vol 34, Iss 2 (2010)
Humankind’s venerable obsession with the mirror, traceable to the ancient myths of Medusa and Narcissus, is copiously attested in Western art, which historically relied on the mirror as both practical tool and polysemous trope. While the mirror’s
Externí odkaz:
https://doaj.org/article/72e002ce85de4f20852b87d447129f29
Autor:
Helena Goscilo
Publikováno v:
Studies in 20th & 21st Century Literature, Vol 24, Iss 1 (2000)
The seismic changes inaugurated by desovietization not only recast the entire framework of Russia's cultural priorities, production, and reception, but ultimately revised fundamental concepts of what constitutes culture…
Externí odkaz:
https://doaj.org/article/0564c46bf2f04470bfe2eeec08840ca3
Autor:
Helena Goscilo
Publikováno v:
Studies in 20th & 21st Century Literature, Vol 24, Iss 1 (2000)
The new Postsoviet genre of the glossy magazine that inundated bookstalls and kiosks in Russia's urban centers served as both an advertisement for a life of luxury and an advice column on chic style. Conventionalized signs of affluence, models of bea
Externí odkaz:
https://doaj.org/article/af2d2211e4684304a48e24f03ca45595
Autor:
Helena Goscilo, Yana Hashamova
Discursive practices during war polarize and politicize gender: they normally require men to fulfill a single, overriding task—destroy the enemy—but impose a series of often contradictory expectations on women. The essays in the book establish li
This wide-ranging collection investigates the father/son dynamic in post-Stalinist Soviet cinema and its Russian successor. Contributors analyze complex patterns of identification, disavowal, and displacement in films by such diverse directors as Khu
This addition to the highly successful Contemporary Cultures series covers the period from period 1953, with the death of Stalin, to the present day. Both ‘Russian'and ‘Culture'are defined broadly. ‘Russian'refers to the Soviet Union until 1991