The way we watched: Vintage television programmes, memories, and memorabilia

Autor: Helen Piper

Publikováno v: NECSUS, Vol 4, Iss 2, Pp 123-142 (2015)

This paper explores television viewing memories of a kind that have rarely been acknowledged, whether in formal histories of television or by the ubiquitous archive ‘clip show’. Much of the academic work that explicitly addresses questions of tel

Externí odkaz: https://doaj.org/article/ccf35edb8dd24da58d528e446e4ead4e

Seriousness, ordinariness, and 'actual police work': British and American TV crime dramas True Detective, Suspects and Cuffs

Autor: Helen Piper

Publikováno v: Piper, H 2018, Seriousness, ordinariness, and “actual police work” : British and American TV crime dramas True Detective, Suspects and Cuffs . in K Toft Hansen, S Peacock & S Turnbull (eds), European Television Crime Drama and Beyond . Palgrave European Film & Media Studies, Palgrave Macmillan, pp. 101-116 . < https://www.palgrave.com/gb/book/9783319968865 >
European Television Crime Drama and Beyond ISBN: 9783319968865

The single most ubiquitous narrative pretext for television drama is, almost certainly, that of murder, and no matter how rare in the social world, the ‘serial killer’ is a favoured antagonist. This chapter argues that this derives from a rhetori

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::c44624d5c0e4f58c3888f83f9de6f636
https://www.palgrave.com/gb/book/9783319968865

Broadcast drama and the problem of television aesthetics:home, nation, universe

Autor: Helen Piper

Publikováno v: Piper, H 2016, ' Broadcast drama and the problem of television aesthetics : home, nation, universe ', Screen, vol. 57, no. 2, hjw021, pp. 163-183 . https://doi.org/10.1093/screen/hjw021

This essay is intended as a response to those who would separate judgement of what is good in television from an understanding of the medium’s general social, cultural, affective and cognitive possibilities, and those who would detach drama from th

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::6709b985bb55cf519a4e09ab8e6de31d
https://research-information.bris.ac.uk/en/publications/d58563aa-d48e-49ef-82ba-913298b95f23

Vintage Entertainment: Nostalgia, the Archive and the Disappearing Pleasures of Collective Television Viewing

Autor: Helen Piper

Publikováno v: Journal of British Cinema and Television. 8:411-429

At first glance, nostalgia is a longing for a place, but actually it is a yearning for a different time – the time of our childhood, the slower rhythms of our dreams. In a broader sense, nostalgia is rebellion against the modern idea of time, the t

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::6bd10f9d38fc7724e91a6d748bce3f67
https://doi.org/10.3366/jbctv.2011.0047

John Tulloch, Trevor Griffiths (Manchester: Manchester University Press, 2006), pp. viii + 200, 7 illus., ISBN 0 7190 6858 4 (hb), £47.50

Autor: Helen Piper

Publikováno v: Journal of British Cinema and Television. 6:342-345

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::27d0f3fdc72878a88b20a22aeb1ed205
https://doi.org/10.3366/e1743452109001046