Zobrazeno 1 - 10
of 16
pro vyhledávání: '"Heiner Goebbels"'
Autor:
Heiner Goebbels
Publikováno v:
post(s). 5
Cuando hablamos de educación en las artes escénicas, hablamos del final de una larga cadena. Los conservatorios de teatro y escuelas para bailarines, cantantes, instrumentistas, actores, directores, escenógrafos y diseñadores de vestuario son el
Autor:
Heiner Goebbels
Der international renommierte und vielfach ausgezeichnete Komponist und Theatermacher Heiner Goebbels ist ein Grenzgänger zwischen den Künsten. Er hat seine künstlerische Arbeit und die zeitgenössische Theaterpraxis immer auch theoretisch reflekt
Autor:
Heiner Goebbels
Publikováno v:
Futures of the Contemporary
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::53cff60395d7e346305888b9d721fb8b
https://doi.org/10.2307/j.ctvc771tm.7
https://doi.org/10.2307/j.ctvc771tm.7
Autor:
Katia Arfara, Isabelle Barbéris, Eliane Beaufils, Chloé Déchery, Leon Gabriel, Heiner Goebbels, Narges Hashempour, Stéphane Hervé, Eva Holling, Ivana Müller, Marie Preston, Bernhard Siebert, Gerald Siegmund, Marie Vandenbussche-Cont, Kai van Eikels
The concept of being-with developed by the philosopher Jean-Luc Nancy asks a fundamental question about human life, inasmuch as we have always been and will be co-existent with people and environments. All modes of sense-making and subjectivation, bu
Autor:
Heiner Goebbels
Publikováno v:
sonic thinking.
Autor:
Heiner Goebbels, Emma Lew Thomas
Publikováno v:
PAJ: A Journal of Performance and Art. 35:43-48
Aesthetics of Absence presents a significant challenge to the many embedded assumptions and hierarchical structures that have become ‘naturalised'in western theatre production. This is the first English translation of a new collection of writings a
Autor:
Heiner Goebbels
Publikováno v:
TDR/The Drama Review. 55:46-51
The experimental work with the human voice in contemporary compositions often simply ignores the genuine connection of the voice to expression and to the body. The voice is not a “neutral” instrument, but always intertwined with its very characte
Autor:
Heiner Goebbels
Publikováno v:
Theater. 35:73-82