Zobrazeno 1 - 10
of 12
pro vyhledávání: '"Heidi-Maria Lehtonen"'
Autor:
Jens Popp, Hannes Muesch, Kristofer Kjörling, Jeroen Koppens, Janusz Klejsa, Michael Schug, Sripal S. Mehta, Toni Hirvonen, Jonas Samuelsson, Heidi-Maria Lehtonen, Mark Stuart Vinton, Per Ekstrand, Martin Wolters, Leif Sehlstrom, Lars Villemoes, Harald Mundt, Kurt Krauss, Jeffrey Riedmiller, Karsten Linzmeier, Scott G. Norcross, Prinyar Boon, Alexander Gröschel, Tim Carroll, Barbara Resch, Arijit Biswas, Heiko Purnhagen, Per Hedelin, Holger Hörich, Jonas Röden, Nicolas R. Tsingos
Publikováno v:
IEEE Transactions on Broadcasting. 63:179-201
AC-4 is a state-of-the-art audio codec standardized in ETSI (TS 103 190 and TS 103 190-2) and included in the DVB toolbox (TS 101 154 V2.2.1 and DVB BlueBook A157) and, at the time of writing, is a candidate standard for ATSC 3.0 as per A/342 part 2.
Publikováno v:
Applied Sciences; Volume 7; Issue 5; Pages: 483
This paper discusses the modeling of the late part of a room impulse response by dividing it into short segments and approximating each one as a filtered random sequence. The filters and their associated gain account for the spectral shape and decay
Publikováno v:
Aalto University
This paper investigates the audibility threshold of aliasing in computer-generated sawtooth signals. Listening tests were conducted to find out how much the aliased frequency components below and above the fundamental must be attenuated for them to b
Publikováno v:
Aalto University
This letter reports basic acoustic phenomena related to part-pedaling in the piano. With part-pedaling, the piano tone can be divided into three distinct time intervals: initial free vibration, damper-string interaction, and final free vibration. Var
Publikováno v:
Aalto University
Synthesizer Jukka Rauhala,∗ Mikael Laurson,† Vesa Valimaki,∗ Heidi-Maria Lehtonen,∗ and Vesa Norilo† ∗Department of Signal Processing and Acoustics Helsinki University of Technology P.O. Box 3000, FI-02015 TKK, Espoo, Finland www.acoustic
Publikováno v:
Aalto University
In this article, alternative approaches to digital keyboard instrument synthesis are looked into. Physics-based sound synthesis, which aims at generating natural-sounding musical instrument tones algorithmically without using a large sample database,
Publikováno v:
Aalto University
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::80b0687f1c507f0a2aabab55b0fccc51
Publikováno v:
Aalto University
This study presents the theoretical modeling of the part - pedaling effect in the piano. Part pedaling means a common use of the sustain pedal where the pedal is not fully depressed, but pressed somewhere between the two extremes. The model implies t
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::b2496743ec904ac62df45b5605544c1d
https://hal.archives-ouvertes.fr/hal-00810856
https://hal.archives-ouvertes.fr/hal-00810856
Autor:
Balázs Bank, Heidi-Maria Lehtonen
Publikováno v:
The Journal of the Acoustical Society of America. 128(3)
This paper investigates the audibility of longitudinal components in piano string vibrations with listening tests. The recorded fortissimo sounds of two grand and one upright pianos have been resynthesized with and without longitudinal components and
Publikováno v:
Aalto University
This paper describes the main features of the sustain-pedal effect in the piano through signal analysis and presents an algorithm for simulating the effect. The sustain pedal is found to increase the decay time of partials in the middle range of the