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Akademický článek
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Autor:
Su, Isabelle, Hattwick, Ian, Southworth, Christine, Ziporyn, Evan, Bisshop, Ally, Mühlethaler, Roland, Saraceno, Tomás, Buehler, Markus J.
Publikováno v:
Journal on Multimodal User Interfaces; Mar2022, Vol. 16 Issue 1, p71-85, 15p
Autor:
Hattwick, Ian, Wanderley, Marcelo
The Pearl is a multi-modal computer interface initially conceived as an interactive prop for a multi-artistic theatrical performance. It is a spherical hand-held wireless controller embedded with various sensor technologies and interactive lighting.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::7aa8a03362e6d75f1ebd934361de6e08
Publikováno v:
BASE-Bielefeld Academic Search Engine
Moving new DMIs from the research lab to professional artistic contexts places new demands on both their design and manufacturing. Through a discussion of the Prosthetic Instruments, a family of digital musical instruments we designed for use in an i
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::b5ddb5ed56e64330457faa25896af6b9
Autor:
Hattwick, Ian, Beebe, Preston, Hale, Zachary, Wanderley, Marcelo, Leroux, Philippe, Marandola, Fabrice
This paper presents results from the development of a digital musical instrument which uses audio feature extraction for the control of sound synthesis. Our implementation utilizes multi-band audio analysis to generate control signals. This technique
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::5f9c592b6a22b7c6f87240251df2bbdb
Autor:
Hattwick, Ian, Umezaki, Kojiro
The Physical Computing Ensemble was created in order to determine the viability of an approach to musical performance which focuses on the relationships and interactions of the performers. Three performance systems utilizing gestural controllers were
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::7b8d0e02526e867d470e1e505d507737
Autor:
Hattwick, Ian, Wanderley, Marcelo
The configurability and networking abilities of digital musical instruments increases the possibilities for collaboration in musical performances. Computer music ensembles such as laptop orchestras are becoming increasingly common and provide laborat
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::62f67b8a18e130ede77b33216d4a3eab
Autor:
Savoldy, Lark
Live coding is an electronic music performance practice in which performers generate music and visuals in real time by writing code. The cognitive approach to live coding differs greatly from that of gestural music, in which performers leverage exten
Externí odkaz:
https://hdl.handle.net/1721.1/154027
Autor:
Liu, Richard
Existing technologies that support online music collaboration are either overly simple in their capabilities, or may require complex setup and installation. Truly real-time collaborative cross-platform “music systems” may only offer a few, quite
Externí odkaz:
https://hdl.handle.net/1721.1/151534