Nell’arena del quadro. Il performativo come soglia del modernismo secondo Harold Rosenberg e Clement Greenberg, passando per Allan Kaprow

Autor: Marcello Sessa

Publikováno v: Eikón Imago, Vol 11 (2022)

Il presente contributo intende reinterpretare la nozione di performativo nell’ambito dei tentativi di ontologia dell’arte del modernismo americano di metà Novecento. Vorrebbe anzitutto sottolineare il ruolo anticipatore di certa critica d’arte

Externí odkaz: https://doaj.org/article/c993c4e201b548959655b81db67b933b

Weaving Connections between Rome and New York: the Role of Gabriella Drudi

Autor: Maria De Vivo

Publikováno v: Female Cultural Production in Modern Italy ISBN: 9783031148156

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::f2d8df5dce272f1356b409e391194ac3
https://hdl.handle.net/11574/211324

Illuminating Art

Autor: Curtis, Cathy, author

Publikováno v: A Generous Vision : The Creative Life of Elaine de Kooning, 2017.

Externí odkaz: https://doi.org/10.1093/oso/9780190498474.003.0004

Nell’arena del quadro. Il performativo come soglia del modernismo secondo Harold Rosenberg e Clement Greenberg, passando per Allan Kaprow

Autor: Sessa, Marcello

Publikováno v: Eikón / Imago; Vol. 11 (2022): Pre-Modern "Pop Cultures"?; 355-366
Eikón / Imago; Vol. 11 (2022): ¿"Cultura Pop" antes de la Modernidad?; 355-366
Revistas Científicas Complutenses
Universidad Complutense de Madrid (UCM)

In the present essay, I aim to reinterpret the notion of performing in respect of modernist ontologies of art, with a particular focus on American art criticism in the mid-twentieth century. Firstly, I will address to art critics such as Clement Gree

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=RECOLECTA___::e8c15d797de970904145ac59407835e2
https://revistas.ucm.es/index.php/EIKO/article/view/76765

Vaghezze e stravaganze para-letterarie nella critica d’arte anglo-americana. L’art-writing nel secondo Novecento da strategia retorica a genere autonomo

Autor: Mantoan, Diego

Vagueness and para-literary extravagance in the Anglo-American art criticism. Art-writing in the second half of the twentieth century from a rhetorical strategy to an autonomous genre · The essay offers an analysis of the transformations that occurr

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::996f1f4493fbf095ffd6bcdfee716366
http://hdl.handle.net/10447/560410