Zobrazeno 1 - 10
of 29
pro vyhledávání: '"Hans Tietze"'
Autor:
Hans Tietze
Publikováno v:
Wiener Jahrbuch für Kunstgeschichte. 33:7-12
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c24462c5a26814f05dff00c410f96edf
https://doi.org/10.7767/wjk.1980.33.1.7
https://doi.org/10.7767/wjk.1980.33.1.7
Autor:
Hans Tietze
Publikováno v:
Parnassus. 4:6-9
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::26ead1e723109dc4ee5cf12c214127ff
https://doi.org/10.1080/15436314.1932.11666374
https://doi.org/10.1080/15436314.1932.11666374
Autor:
Hans Tietze, Erica Tietze-Conrat
Publikováno v:
The Art Bulletin. 31:11-20
THE Adoration of the Shepherds in the National Gallery in Washington (Fig. 1), enjoys a well-deserved popularity with the public. It combines a tenderness verging on sentimentality in the figure group and a frank delight in rendering every detail in
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::46216eb7909c754369afa86779e46b3a
https://doi.org/10.1080/00043079.1949.11407841
https://doi.org/10.1080/00043079.1949.11407841
Autor:
Hans Tietze
Publikováno v:
Wiener Jahrbuch für Kunstgeschichte. 6:74-81
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::cb4f7c61b31c971a82d36d5c3da94a82
https://doi.org/10.7788/wjk-1929-jg06
https://doi.org/10.7788/wjk-1929-jg06
Autor:
Hans Tietze
Publikováno v:
The Art Bulletin. 15:250-274
Since his own days—or at least after a short period of oblivion immediately following his death—Albrecht Durer has belonged to that very limited number of artists whose works were indispensable in every art gallery. By the end of the sixteenth ce
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::a5f7cae26040e6aac06c91f1ed09ae28
https://doi.org/10.1080/00043079.1933.11408641
https://doi.org/10.1080/00043079.1933.11408641
Autor:
Hans Tietze
Publikováno v:
Parnassus. 12:22-25
In Recent Years a number of exhibitions of Venetian painting, some covering the whole field and some devoted to a special period, have been arranged, the most complete being that at the Palace of the Legion of Honor in San Francisco in 1938. The exhi
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::6a740bde6880ca0907bd43b544081293
https://doi.org/10.1080/15436314.1940.10794776
https://doi.org/10.1080/15436314.1940.10794776
Autor:
Erica Tietze-Conrat, Hans Tietze
Publikováno v:
Parnassus. 9:9-11
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::9e2490fd7e011a6c31a67c789df7faa0
https://doi.org/10.1080/15436314.1937.11467526
https://doi.org/10.1080/15436314.1937.11467526
Autor:
Hans Tietze, Erica Tietze-Conrat
Publikováno v:
The Art Bulletin. 27:149-151
In pointing out the deficiencies of our lists, in the preface of our Drawings of the Venetian Painters,1 we expressly mentioned one difficulty. The rising threat of war made it impossible to check the drawings in Scandinavian and Russian collections.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::3ce24ea4cdfa7cf37497c7d435e22616
https://doi.org/10.1080/00043079.1945.11407688
https://doi.org/10.1080/00043079.1945.11407688
