Zobrazeno 1 - 10
of 36
pro vyhledávání: '"Hans Sedlmayr"'
Autor:
Angelov, Angel
Publikováno v:
Проблеми на изкуството / Art Studies Quarterly. (2):23-32
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=1048994
Autor:
Øystein Holdø
Publikováno v:
Journal of Art Historiography, Vol 27, Pp 27-OH1 (2022)
The short but intense polemic that took place following Giulio Carlo Argan’s review of Albert Erich Brinckmann’s Theatrum novum Pedemontii in 1931 inaugurated international twentieth century scholarly reception of Piedmontese Baroque architecture
Externí odkaz:
https://doaj.org/article/01930a6ddd41449ebcf14571c3426ce6
Autor:
Karl Johns
Publikováno v:
Journal of Art Historiography, Vol 27, Pp 27-KJ2 (2022)
While I (Pacht) was working on the evolution of Austrian Gothic panel painting, I realized that the whole material could be sorted into multiple genealogies, each of which corresponded to a particular (regional) mode of production, and that within th
Externí odkaz:
https://doaj.org/article/3fd7a09612024c5e9da54019dcbea427
Autor:
Angelov, Angel
Publikováno v:
Визуални изследвания / Visual Studies. 5(3):253-271
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=1001455
Autor:
Kunińska, Magdalena
This volume explores a basic question in the historiography of art: the extent to which iconology was a homogenous research method in its own immutable right. By contributing to the rejection of the universalizing narrative, these case studies argue
Externí odkaz:
https://library.oapen.org/handle/20.500.12657/88244
Akademický článek
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Autor:
Zehra Tonbul
Publikováno v:
Journal of Art Historiography, Iss 23, Pp 23-ZT1 (2020)
The article presents a history of art historical studies at the University of Vienna in the first half of the twentieth century in terms of its approach to oriental topics. It takes as its starting point a 1937 letter of Hans Sedlmayr, then-director
Externí odkaz:
https://doaj.org/article/2b686f66fa7748f8af29982c09864c4a
Autor:
Peter Gillgren
Publikováno v:
Journal of Art Historiography, Iss 21, Pp 21-PG1 (2019)
With his publications on architectural representations in Late Medieval painting, Felix Horb (1890–1958) positioned himself in relation to his teacher Max Dvořák, his close colleague Hans Sedlmayr and the studies of Erwin Panofsky. Founding his w
Externí odkaz:
https://doaj.org/article/e0ff07fbdf1e4b409d8ee118757ef5fc
Autor:
Johanidesová, Tereza
The aim of this dissertation is to describe the basic assumptions, genesis and main characteristics of Marxist iconology, which emerged as a distinctive interpretative approach in the environment of Czech art history in the early 1960s. Here I concei
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______2186::ceaa77ebe103396e840101ae45373560
http://www.nusl.cz/ntk/nusl-521795
http://www.nusl.cz/ntk/nusl-521795
Autor:
Bałus, Wojciech, Kunińska, Magdalena
This volume explores a basic question in the historiography of art: the extent to which iconology was a homogenous research method in its own immutable right. By contributing to the rejection of the universalizing narrative, these case studies argue
Externí odkaz:
https://library.oapen.org/handle/20.500.12657/88243