Imagen, medium, cuerpo: Un nuevo acercamiento a la iconología

Autor: Hans Belting

Publikováno v: Cuadernos de Información y Comunicación, Vol 20 (2015)

El autor propone un nuevo tipo de iconología no limitado a las imágenes artísticas, que tiene en consideración la aparición de las imágenes dese un punto de vista a la vez fenomenológico y pragmático, indicando que las imágenes suceden en la

Externí odkaz: https://doaj.org/article/c5b284931038419a8bd361e2e407dc1f

The Museum of Modern Art and the History of Modernism

Autor: Hans Belting

Publikováno v: Nka Journal of Contemporary African Art. 2020:100-114

Right from its opening in 1929, the Museum of Modern Art (MoMA) recreated modern art as a new myth that was rescued from European history and thus became accessible as an independent value for an American audience. Paradoxically, the myth stemmed fro

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::961e7e1392a43e8bb85e0026a372aee2
https://doi.org/10.1215/10757163-8308222

The Painter Manuel Eugenikos from Constantinople, in Georgia

Autor: Hans Belting

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::853ae8c23ac09fc2690395e943f7e547
https://doi.org/10.1484/m.convisup-eb.5.130909

A Venetian Artist at the Ottoman Court. An Encounter of Two Worlds

Autor: Hans Belting

Publikováno v: Convivium. 5:14-31

The visit (1479-1481) of Gentile Bellini to the Ottoman court is a precious and significant memory of a cross-cultural meeting of East and West. Bellini's stay in Constantinople is attested to most...

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::cc4801ff94f6dc8f59221f5f6474cb09
https://doi.org/10.1484/j.convi.4.2019003

The Movement and the Experience of 'Iconic Presence'. An Introduction

Autor: Hans Belting, Martin Lešák, Ivan Foletti

Publikováno v: Convivium
Convivium, Brepols, Masarykova univerzita, Université de Lausanne, Academy of Sciences of the Czech Republic, 2019, Movement, Images and Iconic Presence in the Medieval World, VI (1), pp.11-15. ⟨10.1484/J.CONVI.4.2019021⟩

Although the notion of “iconic presence” had previously appeared in several various fields, in Medieval Art History, it started to be discussed mainly after the publication in 1990 of Bild und Kult, and further developed in Bildantropologie . Con

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::a08096f676cca3426017c4d8f24ac2a3
https://halshs.archives-ouvertes.fr/halshs-02177681