Zobrazeno 1 - 10
of 16
pro vyhledávání: '"Hannah Schwadron"'
Autor:
Hannah Schwadron
Publikováno v:
The International Journal of Screendance, Vol 10, Iss 0 (2019)
This essay analyzes the artful insertion of screendance scenes in Season Two of Jill Soloway’s Amazon hit, Transparent (2014- ), highlighting how bodies and camera choreograph affective connections core to the plot in this televisual portrait of a
Externí odkaz:
https://doaj.org/article/7324ca0fce03485aaabcb2aa9c9062b5
Autor:
Hannah Schwadron, Victoria Marks
Publikováno v:
The Oxford Handbook of Jewishness and Dance ISBN: 0197519512
This duet recalls a movement workshop exploring the potential of “dancing interconnections” as a practice of betweenness. Inspired by Vic Marks’ Action Conversations and Schwadron’s choreographic improvisation, the workshop and its reflection
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::51dad4230bc88f7db910823ade8819e2
https://doi.org/10.1093/oxfordhb/9780197519516.013.13
https://doi.org/10.1093/oxfordhb/9780197519516.013.13
Autor:
Hannah Schwadron
Publikováno v:
Choreographic Practices. 8:239-258
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a43635635a660941d49cd80e62bc1bf9
https://doi.org/10.1386/chor.8.2.239_1
https://doi.org/10.1386/chor.8.2.239_1
Autor:
Hannah Schwadron
Amidst the growing forums of kinky Jews, orthodox drag queens, and Jewish geisha girls, we find today's sexy Jewess in a host of reflexive plays with sexed-up self-display. A social phantasm with real legs, she moves boldly between neo-burlesque stri
Autor:
Hannah Schwadron
This chapter celebrates a performance history in the United States of Jewish female physical comedy that spans nearly a century of gender and humor radicalism. It moves from early twentieth-century performances of the Red Hot Mamas Sophie Tucker, Fan
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::cb300d0f65b9d3fbab1b595702848122
https://doi.org/10.1093/oso/9780190624194.003.0003
https://doi.org/10.1093/oso/9780190624194.003.0003
Autor:
Hannah Schwadron
This concluding chapter returns to the question of Jewish female representation through an embodied Jewface genre. In some cases the Sexy Jewess embodies familiar versions of the comic personages made most familiar across an assimilatory twentieth ce
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::9152ce15a56f524ad3be84d5d35c461c
https://doi.org/10.1093/oso/9780190624194.003.0007
https://doi.org/10.1093/oso/9780190624194.003.0007
Autor:
Hannah Schwadron
This chapter foregrounds a performance ethnography among New York’s Jewish neoburlesque and cabaret spoofs on the Hanukkah circuit from 2011 to 2016. By looking at what the body does to mock and modify stereotypes of the Jewish woman, it frames the
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5d4f4df93513875bd4855b6177560eb3
https://doi.org/10.1093/oso/9780190624194.003.0002
https://doi.org/10.1093/oso/9780190624194.003.0002
Autor:
Hannah Schwadron
This chapter transitions from mainstream film to the adult film industry, highlighting the punk porn and XXX parody of popular Jewish porn star and director Joanna Angel. As Angel leads an altporn phenomenon, she exemplifies the salability of the Sex
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::dbbe850b9b2426e3ca10c61f801a0e83
https://doi.org/10.1093/oso/9780190624194.003.0006
https://doi.org/10.1093/oso/9780190624194.003.0006
Autor:
Hannah Schwadron
Publikováno v:
Oxford Scholarship Online ISBN: 9780190624194
This book documents the unorthodox case of the Sexy Jewess, a distinctive figure of twenty-first-century American Jewishness. Versions of her image proliferate in US popular culture among neoburlesque, movie musicals, comedic television, ballet parod
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::bb6d75fb87c741c257ac7ab390e81faa
https://doi.org/10.1093/oso/9780190624194.001.0001
https://doi.org/10.1093/oso/9780190624194.001.0001
Autor:
Hannah Schwadron
This chapter covers the late twentieth- and early twenty-first-century shift toward a new brand of postassimilatory and postfeminist joke-work. It highlights select material by celebrity Jewish female comics from the 1990s though the present. An “a
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3d8e3d3ecf3d975939161485d942566a
https://doi.org/10.1093/oso/9780190624194.003.0004
https://doi.org/10.1093/oso/9780190624194.003.0004