Zobrazeno 1 - 5
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pro vyhledávání: '"Hannah Holtzman"'
Autor:
Hannah Holtzman
Publikováno v:
French Screen Studies. 22:251-270
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::65081f9ed932520de6f82b04b7c4d250
https://doi.org/10.1080/26438941.2021.1948173
https://doi.org/10.1080/26438941.2021.1948173
Autor:
Hannah Holtzman
Publikováno v:
French Studies. 73:561-577
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::30181d8bc27b1acb2b94c45648813bd3
https://doi.org/10.1093/fs/knz181
https://doi.org/10.1093/fs/knz181
Autor:
Hannah Holtzman
The Franco-Japanese coproduction Hiroshima mon amour (1959) is one of the most important films for global art cinema and for the French New Wave. In Through a Nuclear Lens, Hannah Holtzman examines this film and the transnational cycle it has inspire
Autor:
Hannah Holtzman
Publikováno v:
Contemporary French Civilization. 43:55-71
The film Hiroshima mon amour (1959), one of the first major Franco-Japanese co-productions, was released the same year in Japan with the title A Twenty-four-hour love affair. The Japanese title’s emphasis on time presents a move away from the film
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7095e47a4dda507898a85f0aa5b54cab
https://doi.org/10.3828/cfc.2018.4
https://doi.org/10.3828/cfc.2018.4
Autor:
Hannah Holtzman
Publikováno v:
New England Review. 33:145-159
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::26d126e3f557130ea6185fe60e63cb2f
https://doi.org/10.1353/ner.2012.0052
https://doi.org/10.1353/ner.2012.0052