Zobrazeno 1 - 10
of 22
pro vyhledávání: '"Hanna Brinkmann"'
Autor:
Hanna Brinkmann
Publikováno v:
21: Inquiries into Art, History, and the Visual, Vol 2, Iss 1 (2021)
It is a common practice in art history to infer from the characteristics of a picture how it is viewed. In many cases, ideal rather than real viewers are assumed. However, art is culturally diverse and so are its viewers. Nonetheless, differences in
Externí odkaz:
https://doaj.org/article/2f0549834af744a8b676e1bab8ca4995
Publikováno v:
Journal of Eye Movement Research, Vol 13, Iss 2 (2020)
Eye tracking research in art viewership is often conducted in a laboratory setting where reproductions must be used in place of original art works and the viewing environment is less natural than in a museum. Recent technological developments have ma
Externí odkaz:
https://doaj.org/article/f99a94cd84e7479f8a5452dac0f32ed2
Autor:
Luise Reitstätter, Hanna Brinkmann, Thiago Santini, Eva Specker, Zoya Dare, Flora Bakondi, Anna Miscená, Enkelejda Kasneci, Helmut Leder, Raphael Rosenberg
Publikováno v:
Journal of Eye Movement Research, Vol 13, Iss 2 (2020)
There is increasing awareness that the perception of art is affected by the way it is presented. In 2018, the Austrian Gallery Belvedere redisplayed its permanent collection. Our multi-disciplinary team seized this opportunity to investigate the view
Externí odkaz:
https://doaj.org/article/42084f4f27d041f9af2569f1cf79d27b
Autor:
Eva Specker, Michael Forster, Hanna Brinkmann, Jane Boddy, Beatrice Immelmann, Jürgen Goller, Matthew Pelowski, Raphael Rosenberg, Helmut Leder
Publikováno v:
PLoS ONE, Vol 15, Iss 5, p e0232083 (2020)
The idea that simple visual elements such as colors and lines have specific, universal associations-for example red being warm-appears rather intuitive. Such associations have formed a basis for the description of artworks since the 18th century and
Externí odkaz:
https://doaj.org/article/dd5d672f33954941aeb66bc77ceeec31
Publikováno v:
Psychology of Aesthetics, Creativity, and the Arts.
Autor:
Corinna Kühnapfel, Joerg Fingerhut, Hanna Brinkmann, Victoria Ganster, Takumi Tanaka, Eva Specker, Jan Mikuni, Florian Güldenpfennig, Andreas Gartus, Raphael Rosenberg, Matthew Pelowski
Publikováno v:
Empirical Studies of the Arts. :027623742311600
Embodied cognition claims that how we move our body is central for experience. Exploring dimensions of bodily engagement should, therefore, also be central for engaging art. However, little attention has been paid to the actual ways viewers move in f
Autor:
Corinna Kühnapfel, Joerg Fingerhut, Hanna Brinkmann, Victoria Ganster, Takumi Tanaka, Eva Specker, Jan Mikuni, Florian Güldenpfennig, Andreas Gartus, Raphael Rosenberg, Matthew Pelowski
Embodied cognition claims that the way we move our body is central for experience. Exploring dimensions of bodily engagement should therefore also be central for understanding the experience of viewing and evaluating art. However, in both laboratory
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::78a005edd845a60261b97c307cc8227f
https://doi.org/10.31234/osf.io/kx86d
https://doi.org/10.31234/osf.io/kx86d
Autor:
Matthew Pelowski, Hanna Brinkmann, Eva Specker, Jane Boddy, Raphael Rosenberg, Michael J. Forster, Helmut Leder
Publikováno v:
Psychology of Aesthetics, Creativity, and the Arts. 14:172-185
Autor:
Matthew Pelowski, Helmut Leder, Hanna Brinkmann, Jane Boddy, Eva Specker, Beatrice Immelmann, Raphael Rosenberg
Publikováno v:
Wiener Jahrbuch für Kunstgeschichte. 65:7-26
Publikováno v:
21: Inquiries into Art, History, and the Visual. Beiträge zur Kunstgeschichte und visuellen Kultur