Zobrazeno 1 - 5
of 5
pro vyhledávání: '"Hanna Brinkman"'
Autor:
Michael LaFontaine, Emma Hegwood, Hanna Brinkman, David Strom, Tracey Boncher, Medhane Cumbay, Dalon Li, Stephanie Gleason, Sarah Hershberger
Publikováno v:
The FASEB Journal. 32
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::cb5f53ded961ceda3175319d95a8870d
https://doi.org/10.1096/fasebj.2018.32.1_supplement.836.9
https://doi.org/10.1096/fasebj.2018.32.1_supplement.836.9
Autor:
Hanna Brinkmann
Publikováno v:
21: Inquiries into Art, History, and the Visual, Vol 2, Iss 1 (2021)
It is a common practice in art history to infer from the characteristics of a picture how it is viewed. In many cases, ideal rather than real viewers are assumed. However, art is culturally diverse and so are its viewers. Nonetheless, differences in
Externí odkaz:
https://doaj.org/article/2f0549834af744a8b676e1bab8ca4995
Publikováno v:
Journal of Eye Movement Research, Vol 13, Iss 2 (2020)
Eye tracking research in art viewership is often conducted in a laboratory setting where reproductions must be used in place of original art works and the viewing environment is less natural than in a museum. Recent technological developments have ma
Externí odkaz:
https://doaj.org/article/f99a94cd84e7479f8a5452dac0f32ed2
Autor:
Luise Reitstätter, Hanna Brinkmann, Thiago Santini, Eva Specker, Zoya Dare, Flora Bakondi, Anna Miscená, Enkelejda Kasneci, Helmut Leder, Raphael Rosenberg
Publikováno v:
Journal of Eye Movement Research, Vol 13, Iss 2 (2020)
There is increasing awareness that the perception of art is affected by the way it is presented. In 2018, the Austrian Gallery Belvedere redisplayed its permanent collection. Our multi-disciplinary team seized this opportunity to investigate the view
Externí odkaz:
https://doaj.org/article/42084f4f27d041f9af2569f1cf79d27b
Autor:
Eva Specker, Michael Forster, Hanna Brinkmann, Jane Boddy, Beatrice Immelmann, Jürgen Goller, Matthew Pelowski, Raphael Rosenberg, Helmut Leder
Publikováno v:
PLoS ONE, Vol 15, Iss 5, p e0232083 (2020)
The idea that simple visual elements such as colors and lines have specific, universal associations-for example red being warm-appears rather intuitive. Such associations have formed a basis for the description of artworks since the 18th century and
Externí odkaz:
https://doaj.org/article/dd5d672f33954941aeb66bc77ceeec31