Zobrazeno 1 - 10
of 18
pro vyhledávání: '"Hamid Keshmirshekan"'
Autor:
Hamid Keshmirshekan
Publikováno v:
Arts, Vol 12, Iss 2, p 45 (2023)
This article examines the notions of history and memory with references to the works of contemporary artists from Iran. It interrogates the theme of challenging the present through the re-interpretation of history and investigates how artists respond
Externí odkaz:
https://doaj.org/article/dc3b094efaa2477996eff75316497a30
Autor:
Hamid Keshmirshekan
How is home-grown contemporary art viewed within the Middle East? And is it understood differently outside the region? What is liable to be lost when contemporary art from the Middle East is'transferred'to international contexts - and how can it be r
Autor:
Hamid Keshmirshekan
Publikováno v:
Review of Middle East Studies. 54:342-351
The study of modern and contemporary art from Islamic lands, and particularly the Arab world, is a developing field. Over the past few decades, a variety of publications on modern and contemporary art from the Arab world and its diasporas has appeare
Autor:
Hamid Keshmirshekan
Publikováno v:
Encyclopaedia Iranica Online
Externí odkaz:
https://doi.org/10.1163/2330-4804_EIRO_COM_1161
Autor:
Hamid Keshmirshekan
'Contemporary Art, World Cinema, and Visual Culture: Essays by Hamid Dabashi'is a collection of writings by the acclaimed cultural critic and scholar. A thorough Introduction rigorously frames chapters and identifies in Dabashi's writings a comprehen
Publikováno v:
»Global Art History«: Transkulturelle Verortungen von Kunst und Kunstwissenschaft
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6d41f7fc304f9d8dc854e2bdd29897c1
https://doi.org/10.14361/9783839440612-009
https://doi.org/10.14361/9783839440612-009
Autor:
Hamid Keshmirshekan
Publikováno v:
Middle East Journal of Culture and Communication. 4:44-71
This article analyzes the dominant dichotomy in cultural and artistic ideas which Iranian artists—like many non-Euro-American artists—have been forced to confront. These include the idea of 'contemporaneity': being imbued with the 'spirit of the
Autor:
Hamid Keshmirshekan
Publikováno v:
Iranian Studies. 43:489-512
This essay explores two primary concerns in the art and artistic practice of contemporary Iran, namely “identity” (i.e. local, historical, imagined and collective identity and also self-identity) and “exoticism” (which appears inevitably rela