Zobrazeno 1 - 10
of 10
pro vyhledávání: '"Hair, Graham"'
Autor:
Parncutt, Richard, Hair, Graham
Publikováno v:
Music Perception: An Interdisciplinary Journal, 2018 Apr 01. 35(4), 475-501.
Externí odkaz:
https://www.jstor.org/stable/26417421
Autor:
Arnold, Stephen, Hair, Graham
Publikováno v:
Perspectives of New Music, 1976 Apr 01. 14/15, 155-186.
Externí odkaz:
https://www.jstor.org/stable/832633
Autor:
Parncutt, Richard1 parncutt@uni-graz.at, Hair, Graham2
Publikováno v:
Journal of Interdisciplinary Music Studies. Fall2012, Vol. 5 Issue 2, p119-166. 48p. 8 Diagrams, 2 Charts.
This article assesses aspects of the current state of a project which aims, with the help of computers\ud and computer software, to segment soundfiles of vocal melodies into their component notes, identifying\ud precisely when the onset of each note
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=core_ac_uk__::b4d32b4f9a73cb20fa39f60e3c1ae7f5
https://eprints.gla.ac.uk/150678/13/150678.pdf
https://eprints.gla.ac.uk/150678/13/150678.pdf
We describe a project in which several collaborators adapted an existing instrument to make\ud it capable of playing expressively in music based on the microtonal scale characterised by equal\ud divsion of the octave into 19 tones (“19-EDO”). Our
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=core_ac_uk__::72d02d38474c0eda98f49b8dcd15f206
https://eprints.gla.ac.uk/150676/13/150676.pdf
https://eprints.gla.ac.uk/150676/13/150676.pdf
Autor:
Arnold, Stephen, Hair, Graham
Publikováno v:
Perspectives of New Music, 1976 Apr 01. 14/15, 24-25.
Externí odkaz:
https://www.jstor.org/stable/832620
Autor:
Hair, Graham
Publikováno v:
Computer Music Journal, 1993 Jul 01. 17(2), 98-99.
Externí odkaz:
https://www.jstor.org/stable/3680874
Publikováno v:
Tempo, 1969 Oct 01(90), 34-35.
Externí odkaz:
https://www.jstor.org/stable/943352
Autor:
Hair, Graham
Publikováno v:
24 Hours; Oct98, Issue 272, p40, 3p, 1 Black and White Photograph
Autor:
McGregor, Richard
Veni Veni Emmanuel was composed in 1991/92 and written to a commission from Christian Salvesen PLC for the percussionist Evelyn Glennie and the Scottish Chamber Orchestra. It was first premiered in [1992] and has remained one of the composers’ most
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=core_ac_uk__::638998ba74c11d45264b7a5b6c84ee3c
https://insight.cumbria.ac.uk/id/eprint/143/2/Transubstantiated_in_the_Musical_conference_paper_conference_Apr_2006_freely_available_online.pdf
https://insight.cumbria.ac.uk/id/eprint/143/2/Transubstantiated_in_the_Musical_conference_paper_conference_Apr_2006_freely_available_online.pdf