Zobrazeno 1 - 10
of 13
pro vyhledávání: '"HYUN KYONG HANNAH CHANG"'
Autor:
Hyun Kyong Hannah Chang
Publikováno v:
Twentieth-Century Music. 18:333-340
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d404863d988a27abd7ec02c79be49e49
https://doi.org/10.1017/s1478572221000153
https://doi.org/10.1017/s1478572221000153
Autor:
Hyun Kyong Hannah Chang
Publikováno v:
Twentieth-Century Music. 18:447-467
Protestant music in South Korea has received little attention in ethnomusicology despite the fact that Protestant Christianity was one of the most popular religions in twentieth-century Korea. This has meant a missed opportunity to consider the music
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5b739df0c05f60057e260af88d4f8258
https://doi.org/10.1017/s1478572221000207
https://doi.org/10.1017/s1478572221000207
Autor:
BLOECHL, OLIVIA, HYUN KYONG HANNAH CHANG, BYL, JULIA, LAW, HEDY, SOLIS, GABRIEL, CHOI YU-JUN, CASTRO PANTOJA, DANIEL F.
Publikováno v:
Journal of the American Musicological Society; Fall2023, Vol. 76 Issue 3, p831-872, 42p
Autor:
Hyun Kyong Hannah Chang
Publikováno v:
Journal of Korean Studies. 25:291-323
Well-known songs of colonial Korea such as “Kagop’a” and “Pongsŏnhwa” appear to be secular songs, but their origins lie in the complex intersection of North American Christian missions, Korean cultural life, and Japanese colonial rule. Thi
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::eea0bef318953d2ed5630922f1d576bb
https://doi.org/10.1215/07311613-8551992
https://doi.org/10.1215/07311613-8551992
Autor:
Konstantinos Thomaidis, Robert O. Beahrs, Hyun Kyong Hannah Chang, Tara McAllister-Viel, Daniel Akira Stadnicki, Jessica A. Schwartz
Publikováno v:
Journal of Interdisciplinary Voice Studies. 2:201-218
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5498502b4be005df59a55a9ef40c6473
https://doi.org/10.1386/jivs.2.2.201_5
https://doi.org/10.1386/jivs.2.2.201_5
Autor:
Hyun Kyong Hannah Chang
In late nineteenth-century Korea, American-style hymn-singing and the related practice of praying began in missionary churches as the number of Christian converts grew at an exceptional rate that was not replicated in any other parts of Asia. Born wi
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1f8d3f6d7a94cd1bdf59c0f70f5e8e43
https://doi.org/10.1093/oxfordhb/9780199982295.013.18
https://doi.org/10.1093/oxfordhb/9780199982295.013.18
Autor:
Hyun Kyong Hannah Chang
Publikováno v:
journal of Ewha Music Research Institute. 20:155-164
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::fa743679891288bcdfdd28c5ac72194b
https://doi.org/10.17254/jemri.2016.20.4.006
https://doi.org/10.17254/jemri.2016.20.4.006
Autor:
Hyun Kyong Hannah Chang
Publikováno v:
Twentieth-Century Music. 13:185-190
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::52e8d0b5aba7ccf7481be170c12e0f6b
https://doi.org/10.1017/s1478572215000262
https://doi.org/10.1017/s1478572215000262
Autor:
Hyun Kyong Hannah Chang
Publikováno v:
journal of Ewha Music Research Institute. 20:141-165
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ded89885ccbd3a246dc70c6474b644cc
https://doi.org/10.17254/jemri.2016.20.1.005
https://doi.org/10.17254/jemri.2016.20.1.005
Autor:
Hyun Kyong Hannah Chang
Publikováno v:
Music and Politics.
In Cold War South Korea, the unmarked term “music” (eumak) came to signify Western classical music, and a host of ambiguous terms, including “folk music” (minsogeumak), “traditional music” (jeontongeumak), “indigenous music” (hyangtoe
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d468b8d630dabc54249410ab9e5fefc8
https://doi.org/10.3998/mp.9460447.0008.105
https://doi.org/10.3998/mp.9460447.0008.105