Zobrazeno 1 - 10
of 12
pro vyhledávání: '"HERNANDEZ, ELOISA MAY P."'
Autor:
Hernandez, Eloisa May P.
Mit dem Film Still Lives von Jon Red tritt der philippinische Digitalfilm erstmals in Erscheinung. Seit dem ist er zu einem integralen Bestandteil des philippinischen Films geworden. Die Einführung der digitalen Technologie in den Philippinen war ni
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::370536da701f4cf021b8b7de3ac0d78d
Autor:
HERNANDEZ, ELOISA MAY P.
Publikováno v:
Philippine Studies, 2004 Jan 01. 52(2), 266-268.
Externí odkaz:
https://www.jstor.org/stable/42633703
Autor:
McManus, Stuart M.1 smcmanus@cuhk.edu.hk, Leibsohn, Dana2
Publikováno v:
Colonial Latin American Review. Dec2018, Vol. 27 Issue 4, p522-574. 53p. 8 Color Photographs.
Publikováno v:
Humanities Diliman; 2019, Vol. 16 Issue 1, p1-23, 23p
Autor:
Flaviano, Emerald O.
Publikováno v:
Humanities Diliman; 2017, Vol. 14 Issue 2, p1-35, 35p
After the end of World War II when many Southeast Asian nations gained national independence, and up until the Asian Financial Crisis, film industries here had distinctive and colourful histories shaped by unique national and domestic conditions. So
Autor:
Artemio R. Guillermo
Asia is one of the most rapidly developing regions in the world, and knowledge of the individual countries is crucial for our understanding of the area. The Republic of the Philippines, composed of a chain of islands in Southeast Asia, became a Spani
Autor:
Genevieve Alva Clutario
Genevieve Alva Clutario traces how beauty and fashion in the Philippines shaped the intertwined projects of imperial expansion and modern nation building during the turbulent transition between Spanish, US, and Japanese empires.
Autor:
Katrina Macapagal
Outlining the rise of Philippine slums alongside the historical development of Philippine urban cinema, Slum Imaginaries and Spatial Justice in Philippine Cinema makes a novel contribution to the cinema-city nexus through its interdisciplinary framew
Autor:
Seung-hoon Jeong, Jeremi Szaniawski
Once heralded and defined by the likes of François Truffaut and Andrew Sarris as a romantic figure of aesthetic individualism, the auteur is reinvestigated here through a novel approach. Bringing established as well as emergent figures of world art