Zobrazeno 1 - 10
of 20
pro vyhledávání: '"H. C. Groenewald"'
Autor:
H. C. Groenewald
Publikováno v:
Oral Tradition, Vol 18, Iss 1, Pp 87-90 (2003)
Externí odkaz:
https://doaj.org/article/2e82fdabe76e4af190963c111b94fec1
Autor:
H. C. Groenewald
Publikováno v:
Oral Tradition, Vol 16, Iss 1, Pp 29-57 (2001)
Externí odkaz:
https://doaj.org/article/71457e0fcd6144d5865ae9e8ad231bf6
Autor:
H. C. Groenewald
Publikováno v:
South African Theatre Journal. 16:30-43
Reviewing the debate on the origin of African theatre and drama shows that Zulu stage theatre owes its inception to Western intervention. The history of Zulu theatre shows further that it is, by and large, an informal and almost obscure endeavour. Th
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::fee900c7beaf92b597e4b0d318a206a7
https://doi.org/10.1080/10137548.2002.9687740
https://doi.org/10.1080/10137548.2002.9687740
Autor:
H. C. Groenewald
Publikováno v:
South African Theatre Journal. 15:65-76
(2001). The immoral subject: the moral play in Zulu. South African Theatre Journal: Vol. 15, No. 1, pp. 65-76.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a133d56e01410f025679f252560a8091
https://doi.org/10.1080/10137548.2001.9687723
https://doi.org/10.1080/10137548.2001.9687723
Autor:
H. C. Groenewald
Publikováno v:
South African Journal of African Languages. 21:33-44
The paper has two objectives: to present a complete analysis of the culture play in Zulu so as to show thematically, formally, and in milieu, how the Zulu dramatist deals with social processes and traditions, and secondly, to deliberate whether the c
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::9af6173316d99319301eedc164ae5e11
https://doi.org/10.1080/02572117.2001.10587462
https://doi.org/10.1080/02572117.2001.10587462
Autor:
H. C. Groenewald
Publikováno v:
South African Journal of African Languages. 19:12-21
Ntuli's plays are studied according to a number of principles in order to ascertain the nature of his dramatic ability and ultimately to answer the question whether his dramatic ability could secure for him a place among the ranks of great writers. A
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::015b525306589b34a92f6a48db89b03c
https://doi.org/10.1080/02572117.1999.10587377
https://doi.org/10.1080/02572117.1999.10587377
Autor:
H. C. Groenewald
Publikováno v:
South African Journal of African Languages. 18:1-10
In South Africa oral poetry has been studied as literary/aesthetic material, a viewpoint that saw the performance of oral poetry as a hindrance. Linguistic views unearthed the peculiar linguistic features of oral poetry. Features related to performan
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3fbd1bf22b36538fb000f299538881a4
https://doi.org/10.1080/02572117.1998.10587180
https://doi.org/10.1080/02572117.1998.10587180
Autor:
H. C. Groenewald
Publikováno v:
South African Journal of African Languages. 17:105-110
This paper discusses the use of isiNdebele praise poetry during the crucial year of 1988 when the Ndebele people were called upon to vote for or against independence, and flowing from that, the acceptance of the homeland system in an otherwise undemo
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d7281e129ee497c0a93d70a1038c809d
https://doi.org/10.1080/02572117.1997.10587170
https://doi.org/10.1080/02572117.1997.10587170
Autor:
H. C. Groenewald
Publikováno v:
South African Journal of African Languages. 16:73-79
The praise poetry of Prince James Senzangakhona is discussed against the background of the contemporary nature of praise poetry in general and Ndebele history in particular. These izibongo arose from particular historical events in South Africa in th
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6fccfaddfd5f6e646480023c21a66fb7
https://doi.org/10.1080/02572117.1996.10587121
https://doi.org/10.1080/02572117.1996.10587121
Autor:
H. C. Groenewald, Staupitz Makopo
Publikováno v:
South African Journal of African Languages. 12:131-138
The political song is seen as an emergent form that originated in an urban context as a product of South African politics Yet the political song avails itself of traditional structures, and these are explored in the article according to a number of p
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::99d51a4c8ec09ff906be5fb4dde6f2cd
https://doi.org/10.1080/02572117.1992.10586939
https://doi.org/10.1080/02572117.1992.10586939