Zobrazeno 1 - 10
of 11
pro vyhledávání: '"Guy E. Garnett"'
Autor:
Thecla Schiphorst, Guy E. Garnett, David Tcheng, Michael J. Junokas, Shannon Cuykendall, Mohammad Amanzadeh, Yawen Wang, Philippe Pasquier
Publikováno v:
MOCO
We describe the first stages of exploratory research undertaken to analyze expressive movement qualities of taiko performance, a Japaense artistic practice that combines stylized movement with drumming technique. The eventual goals of this research a
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::0fee821113b575ed4a2e58c18d8620c6
https://doi.org/10.1145/2790994.2791004
https://doi.org/10.1145/2790994.2791004
Publikováno v:
MOCO
Advances in sensing technology make the task of quantifying expressive human body movement more feasible than ever before. Success will enable breakthroughs in Human-computer interaction (HCI) and control paradigms. In most areas, however, expressivi
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::20fd805cc7c84a3778c9592a37a53103
https://doi.org/10.1145/2790994.2791005
https://doi.org/10.1145/2790994.2791005
Publikováno v:
Creativity & Cognition
A conductor provides a single unified vision of how to interpret and perform music. However, perceiving a conductor's musical intention and expression is quite challenging as they convey information to performers with subtle, nuanced, and highly indi
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::76d579fe8d7186b97c4cf6bb9c6da811
https://doi.org/10.1145/2757226.2757243
https://doi.org/10.1145/2757226.2757243
Autor:
Guy E. Garnett
Publikováno v:
Computer Music Journal. 25:21-33
This article describes the aesthetics of interactive computer music and contrasts these with aesthetic assumptions of other genres of computer music. Interactive computer music is a sub-genre of what might be called performance-oriented computer musi
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6a15d8a3dc987c2eb9df23926f215ccd
https://doi.org/10.1162/014892601300126089
https://doi.org/10.1162/014892601300126089
Autor:
Camille Goudeseune, Guy E. Garnett
Publikováno v:
Computer Music Journal. 23:80-86
Sitting down to write this soon after it ended, and still dizzy from eleven concerts and many paper sessions in just six days, I will try to give a taste and synopsis of what I think was most interesting, amusing, challenging, or even inspiring at th
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::85633da945277be2dec9248603861119
https://doi.org/10.1162/014892699559670
https://doi.org/10.1162/014892699559670
Autor:
Benjamin D. Smith, Guy E. Garnett
Publikováno v:
IUI
Recent developments in machine listening present opportunities for innovative new paradigms for computer-human interaction. Voice recognition systems demonstrate a typical approach that conforms to event oriented control models. However, acoustic sou
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::cb3d10d24d9d0df6c2957c163a694b18
https://doi.org/10.1145/2166966.2167021
https://doi.org/10.1145/2166966.2167021
Autor:
Benjamin D. Smith, Guy E. Garnett
Publikováno v:
Evolutionary and Biologically Inspired Music, Sound, Art and Design ISBN: 9783642291418
EvoMUSART
EvoMUSART
Automated creativity, giving a machine the ability to originate meaningful new concepts and ideas, is a significant challenge. Machine learning models make advances in this direction but are typically limited to reproducing already known material. Se
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c7bf0ad2a1b81b0fb0f13adbe6c6524d
https://doi.org/10.1007/978-3-642-29142-5_20
https://doi.org/10.1007/978-3-642-29142-5_20
Publikováno v:
ISMAR
We explore interacting with everyday objects by representing content as interactive surface particles. Users can build their own physical world, map virtual content onto their physical construction and play directly with the surface using a stylus. A
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::090500a1d97bb9c6e4a03936ad7a6d05
https://zenodo.org/record/1274564
https://zenodo.org/record/1274564
Autor:
Guy E. Garnett
Publikováno v:
Computer Music Journal. 25:5-5
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5fa2c55f07f61f8c19e02d6e736765e7
https://doi.org/10.1162/014892601300126034
https://doi.org/10.1162/014892601300126034
Publikováno v:
Computer Music Journal. 13:71
We describe in this paper a prototype environment for digital signal processing in terms of a virtual processor and its associated virtual data. The basic operations of the processor are designed for fast vector operations on a variety of different t
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::eadce84be67bcafb0649becb1585437a
https://doi.org/10.2307/3680042
https://doi.org/10.2307/3680042