Connecting multiple microenvironment proteomes uncovers the biology in head and neck cancer

Autor: Ariane F. Busso-Lopes, Leandro X. Neves, Guilherme A. Câmara, Daniela C. Granato, Marco Antônio M. Pretti, Henry Heberle, Fábio M. S. Patroni, Jamile Sá, Sami Yokoo, César Rivera, Romênia R. Domingues, Ana Gabriela C. Normando, Tatiane De Rossi, Barbara P. Mello, Nayane A. L. Galdino, Bianca A. Pauletti, Pammela A. Lacerda, André Afonso N. Rodrigues, André Luis M. Casarim, Reydson A. de Lima-Souza, Ingrid I. Damas, Fernanda V. Mariano, Kenneth J. Gollob, Tiago S. Medina, Nilva K. Cervigne, Ana Carolina Prado-Ribeiro, Thaís Bianca Brandão, Luisa L. Villa, Miyuki Uno, Mariana Boroni, Luiz Paulo Kowalski, Wilfredo Alejandro González-Arriagada, Adriana F. Paes Leme

Publikováno v: Nature Communications, Vol 13, Iss 1, Pp 1-24 (2022)

The biological understanding of poor prognosis associated with lymph node metastasis in head and neck cancer (HNC) remains crucial. Here, a proteomic characterisation of 140 multisite samples from a 59-HNC patient cohort and machine learning reveals

Externí odkaz: https://doaj.org/article/4ccd9c9167ab4e6c9dea6fe4abdd58c2

Sound-producing actions in guitar performance of groove-based microrhythm

Autor: Guilherme Schmidt Câmara, George Sioros, Kristian Nymoen, Mari Romarheim Haugen, Anne Danielsen

Publikováno v: Empirical Musicology Review, Vol 18, Iss 1, Pp 21-36 (2024)

This paper reports on an experiment that investigated how guitarists signal the intended timing of a rhythmic event in a groove-based context via three different features related to sound-producing motions of impulsive chord strokes (striking velocit

Externí odkaz: https://doaj.org/article/29bdc0cd13114e52ae261ea3945c3236

Sensorimotor Synchronization Increases Groove

Autor: Connor Spiech, Mikael Hope, Guilherme Schmidt Câmara, George Sioros, Tor Endestad, Bruno Laeng, Anne Danielsen

‘Groove’ can be understood as the (pleasurable) urge to move to music. Predictive accounts of music listening posit that groove reflects an embodied suppression of prediction errors (i.e., active inference) arising from moderate levels of complex

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::157c05ce69ac5a96f0d191b59da3e1fa

Where is the beat in that note? Effects of attack, duration, and frequency on the perceived timing of musical and quasi-musical sounds

Autor: Guilherme Schmidt Câmara, Martin Torvik Langerød, Anne Danielsen, Marc Thompson, Kristian Nymoen, Justin London, Evan Anderson

Publikováno v: Journal of Experimental Psychology: Human Perception and Performance. 45(3):402-418

The perceptual center (P-center) of a sound is typically understood as the specific moment at which it is perceived to occur. Using matched sets of real and artificial musical sounds as stimuli, we probed the influence of attack (rise time), duration

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::efecec20840f4ba4e994916f4f29ee0b
http://juuli.fi/Record/0339609319

Beat Precision and Perceived Danceability in Drum Grooves

Autor: Francesco Ganis, Eva Sofia Dahl, Guilherme Schmidt Câmara, Anne Danielsen

Publikováno v: Ganis, F, Dahl, S, Schmidt Câmara, G & Danielsen, A 2021, ' Beat precision and perceived danceability in drum grooves ', Rhythm Production and Perception workshop, Oslo, Norway, 22/06/2021-25/06/2021 .
Aalborg University

Musicians can place the time-position of events with high precision and according to personal preference, genre and tempo [1]. For instance, the swing ratio is not kept constant, but it is systematically adapted to a global tempo [2]. In contemporary

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::b905bac7096af95ac3c96234572a1506