Zobrazeno 1 - 10
of 20
pro vyhledávání: '"Gregory Maertz"'
Autor:
Gregory Maertz
Gregory Maertz has written extensively on Romantic and Modern literature, art, and ideas. In these nine related essays, he investigates the expression of Romanticism in literature, philosophy, and cultural politics from the Renaissance to Modernism.
Autor:
Gregory Maertz
From the early years of the Weimar Republic until the collapse of Hitler's regime, demonizing modernist art as a symptom of the corruption of German culture was a standard trope in National Socialist propaganda. But how consistent and thorough was Na
Autor:
Gregory Maertz
The construction of Johann Wolfgang von Goethe as an Anglo-American sage and literary icon was the product of a cult of personality that lay at the center of nineteenth-century cultural politics. A reconstruction of the culture wars fought over Goeth
Autor:
Gregory Maertz
Publikováno v:
Patterns of Prejudice. 51:460-465
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4e91672fe0f6e6419afadf35588c9a32
https://doi.org/10.1080/0031322x.2017.1389011
https://doi.org/10.1080/0031322x.2017.1389011
Autor:
Gregory Maertz
Publikováno v:
Patterns of Prejudice. 50:337-358
Maertz's essay offers a history of a modernist art exhibition that opened in Vienna's Kunstlerhaus under the patronage of Baldur von Schirach, the Fuhrer's personal representative in that city, the second largest in Nazi Germany. The significance of
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::dabe188dddea78f80f53c38fc50bc149
https://doi.org/10.1080/0031322x.2016.1237072
https://doi.org/10.1080/0031322x.2016.1237072
Autor:
Gregory Maertz
Fascist modernism is an artistic and literary movement emphasizing extreme nationalism, romantic anti-capitalism, and cultural renewal most closely associated with Fascist Italy, Vichy France, and National Socialist Germany (see Nazi modernism) but a
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c6472a81d5dc7a599520235f35686291
https://doi.org/10.4324/9781135000356-rem1094-1
https://doi.org/10.4324/9781135000356-rem1094-1
Autor:
Gregory Maertz
Nazi Modernism is not a contradiction in terms, even if Nazi-era rhetoric and propaganda directed against Entartete Kunst powerfully suggested that this was the case. Indeed, in addition to inaugurating a new style of political leadership (borrowed f
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d13dc8fbdaeff96438ca5839ffe18ad7
https://doi.org/10.4324/9781135000356-rem1712-1
https://doi.org/10.4324/9781135000356-rem1712-1
Autor:
Gregory Maertz
Publikováno v:
Modernism/modernity. 15:63-85
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::341871509574a0151ff1f7057d537d7c
https://doi.org/10.1353/mod.2008.0023
https://doi.org/10.1353/mod.2008.0023
Autor:
Gregory Maertz
Publikováno v:
The European Legacy. 1:1064-1070
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::270be57328bebe55a46ee5123b9bc2e7
https://doi.org/10.1080/10848779608579529
https://doi.org/10.1080/10848779608579529