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pro vyhledávání: '"Gregory J. Sandell"'
Autor:
Gregory J. Sandell
Publikováno v:
Music Perception. 13:583-591
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e0b841ba34fd5e8cb49e7440802c751d
https://doi.org/10.2307/40285703
https://doi.org/10.2307/40285703
Autor:
Gregory J. Sandell
Publikováno v:
Music Perception. 13:209-246
Three perceptual experiments using natural-sounding instrument tones arranged in concurrently sounding pairs investigate a problem of orchestration: what factors determine selection of instruments to achieve various degrees of "blend" (fusion of mult
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7d8753934e1c5cf3a7f1363a0dfd9375
https://doi.org/10.2307/40285694
https://doi.org/10.2307/40285694
Autor:
Gregory J. Sandell
Publikováno v:
Music Theory Spectrum. 12:255-261
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::088f4ddcb97186f5f22dee450df63d03
https://doi.org/10.2307/746172
https://doi.org/10.2307/746172
Publikováno v:
The Journal of the Acoustical Society of America. 97(5 Pt 1)
When a single harmonic close to the first formant frequency is mistuned by about 8%, that harmonic makes a reduced contribution to the vowel's first formant frequency as measured by a shift in the phoneme boundary along an F1 continuum between /I/ an
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::0302a800bca191829e613080389cb34f
https://pubmed.ncbi.nlm.nih.gov/7759653
https://pubmed.ncbi.nlm.nih.gov/7759653
Publikováno v:
The Journal of the Acoustical Society of America. 95(5 Pt 1)
It has previously been found that when a single low‐numbered harmonic of a complex tone is progressively mistuned, for mistunings up to about 3%, the pitch of the complex changes in the direction of the mistuning but for larger mistunings (by about
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::b0ef22638870337adfb3489e5d2f5089
https://pubmed.ncbi.nlm.nih.gov/8207135
https://pubmed.ncbi.nlm.nih.gov/8207135
Publikováno v:
The Journal of the Acoustical Society of America. 95:2964-2965
When a single harmonic close to the first formant frequency is mistuned by about 8%, that harmonic makes a reduced contribution to the vowel’s first formant frequency as measured by a shift in the phoneme boundary along an F1 continuum between /I/
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ab1146d5b8e968f266c20d5adff54e20
https://doi.org/10.1121/1.409030
https://doi.org/10.1121/1.409030
Publikováno v:
The Journal of the Acoustical Society of America. 100:2683-2683
The ‘‘double vowel’’ paradigm [P. F. Assmann and Q. Summerfield, J. Acoust. Soc. Am. 88, 680–697 (1990)], in which recognition for two concurrently‐sounding vowels is measured over various fundamental frequency (F0) separations, is applie
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::986cfe0dc0f9c427d3a4bfc61410c823
https://doi.org/10.1121/1.416079
https://doi.org/10.1121/1.416079
Publikováno v:
The Journal of the Acoustical Society of America. 100:2752-2752
These experiments investigated to what degree the identification of a musical instrument depends on change of timbre across total pitch range. Subjects were trained to recognize 12 orchestral musical instruments (natural recordings) by name. Each ins
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::17c1b7622a68d8aabe59dce23e9f3ac0
https://doi.org/10.1121/1.416900
https://doi.org/10.1121/1.416900
Autor:
Gregory J. Sandell
Publikováno v:
The Journal of the Acoustical Society of America. 95:2958-2958
Concurrently sounding timbres (two or more instruments playing on the same or different pitches) sometimes yield unexpected qualities of sound which are exploited in orchestration. A model simulating spectrum analysis by the human auditory periphery
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8a692876eb85832170672bac9534982e
https://doi.org/10.1121/1.409050
https://doi.org/10.1121/1.409050
Publikováno v:
Music Perception. 5:31-77
Four experiments are reported in which the materials are derived from two 12-tone serial compositions (Schoenberg's Wind Quintet and String Quartet, No. 4). Two experiments use the probe tone method (Krumhansl & Shepard, 1979) to assess factors contr
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e44d79400f7ba1be75d725d4e90170c7
https://doi.org/10.2307/40285385
https://doi.org/10.2307/40285385