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pro vyhledávání: '"Graham K. Riach"'
Autor:
Graham K. Riach
Publikováno v:
Critique: Studies in Contemporary Fiction. 62:404-413
This article reads Salvador Plascencia’s The People of Paper (2005) in dialogue with Édouard Glissant’s concept of “opacity”, an ethical and esthetic stance that values impeding comprehension. This novel’s opacity arises from various limit
Autor:
Graham K. Riach
Publikováno v:
Journal of Commonwealth Literature, 55(1), 111-120. SAGE Publications Ltd
South Africa has a long and rich tradition of short story writing, stretching from the early oral-style tale (MacKenzie, 1999), through the writing of the “fabulous fifties” (Driver, 2012; R. Gaylard, 2008), to the most recent post-apartheid text
Autor:
Graham K. Riach
Publikováno v:
The Short Story in South Africa ISBN: 9781003226840
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::efbdb6d26953a72843bcf6c2e17ea43a
https://doi.org/10.4324/9781003226840-12
https://doi.org/10.4324/9781003226840-12
Autor:
Graham K. Riach
Honourable Mention in the 2023 British Association for Contemporary Literary Studies Monograph Prize The Short Story after Apartheid offers the first major study of the anglophone short story in South Africa since apartheid's end. By focusing on the
Autor:
Graham K. Riach
Publikováno v:
Magical Realism and Literature
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d659085f9a4de64a0da07a908194ec8a
https://doi.org/10.1017/9781108551601.012
https://doi.org/10.1017/9781108551601.012
Autor:
Graham K. Riach
Publikováno v:
The Journal of Commonwealth Literature. 55:22-37
In “Falling”, a short story from Henrietta Rose-Innes’s 2010 collection Homing, there is a productively unresolved tension between the aesthetic demands of spatial form and the spatially segregated nation of post-apartheid South Africa. I track
Autor:
Graham K. Riach
Publikováno v:
Safundi. 16:78-95
“Propaganda by Monuments” was published in Staffrider magazine in 1992, and is the first example of Ivan Vladislavic’s experiments with collage techniques, an interest he has sustained through to his recent work in The Loss Library and Other St
Autor:
Graham K. Riach
Publikováno v:
Journal of Southern African Studies. 43:851-851
Towards the end of her writing life, Nadine Gordimer’s style became increasingly marked by characteristics that Theodor Adorno and Edward Said have attributed to ‘late style’: syntactic and interpretational difficulty, structural fracture, and