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pro vyhledávání: '"Graham Bradshaw"'
Autor:
Graham Bradshaw
Just at the moment when conflicts between critical'isms'are threatening to turn the study of English literature into a game park for endangered texts, Bradshaw arrives with a work of liberating wit and insight. His subject is double: the Shakespeare
Autor:
Graham Bradshaw
Pages in a Life charts the encounters in courtrooms, council chambers and sports fields that helped to start a young journalist's career. His journey reflects his work in a vibrant and lively town in the Nottinghamshire coalfield and a path filled wi
Autor:
Graham Bradshaw
Set in successive decades from the 1960s to the possible near future, the six short stories in Graham Bradshaw's collection shine a spotlight on relationships, the great delight and puzzle in most lives. While the decades change and technology races
Autor:
Graham Bradshaw
Publikováno v:
The Shakespearean International Yearbook
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b57d3715bd55ee24e88b5c836850a509
https://doi.org/10.4324/9781351019705-2
https://doi.org/10.4324/9781351019705-2
Autor:
Graham Bradshaw
Publikováno v:
The Shakespearean International Yearbook ISBN: 9781351145329
George Lakoff and Mark Johnson observe in their most book, Philosophy in the Flesh, 'our system of primary and complex metaphors is part of the cognitive unconscious, and most of the time the author have no direct access to it or control over its use
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::08e6b4f3806eae61f9360ee269cd6a59
https://doi.org/10.4324/9781351145329-5
https://doi.org/10.4324/9781351145329-5
This eighth volume of The Shakespearean International Yearbook presents a special section on'European Shakespeares', proceeding from the claim that Shakespeare's literary craft was not just native English or British, but was filtered and fashioned th
This eighth volume of The Shakespearean International Yearbook presents a special section on'European Shakespeares', proceeding from the claim that Shakespeare's literary craft was not just native English or British, but was filtered and fashioned th