Zobrazeno 1 - 10
of 1 048
pro vyhledávání: '"Goffredo Petrassi"'
Autor:
Vallina, Daniel Moro
Publikováno v:
Il Saggiatore musicale, 2014 Jan 01. 21(1), 69-104.
Externí odkaz:
https://www.jstor.org/stable/24642699
Autor:
Giovanni Vito Distefano
Publikováno v:
Between, Vol 7, Iss 14 (2018)
In un autore come Leopardi, incline al serio in misura apparentemente esclusiva e poco votato all’arte drammatica, è tuttavia in un piccolo capolavoro tragicomico che possono individuarsi le prime tracce di una moderna estetica del sublime. L’ar
Externí odkaz:
https://doaj.org/article/5cd280f52c594f28b9fae768aa6788ff
Autor:
Thomson, Andrew
Publikováno v:
The Musical Times, 1992 Jun 01. 133(1792), 288-291.
Externí odkaz:
https://www.jstor.org/stable/966067
Autor:
Emanuele Franceschetti
Publikováno v:
RiCognizioni, Vol 6, Iss 11 (2019)
In this article I will briefly analyse and discuss the Two Sappho’s lyrics (based on Salvatore Quasimodo’s translations of Sappho’s poetic fragments), composed in 1941 by Goffredo Petrassi. In the year of Italy’s entry into the war, Quasimodo
Externí odkaz:
https://doaj.org/article/48f2f6d6b6c04920aaef921fac1754aa
Akademický článek
Tento výsledek nelze pro nepřihlášené uživatele zobrazit.
K zobrazení výsledku je třeba se přihlásit.
K zobrazení výsledku je třeba se přihlásit.
Autor:
Joseph N. Straus
This piece is based on three contrasting types of musical material, distinguished by tempo, texture, and expressive impact. Each type of material is associated with a pair of intervals: 3 and 6; 1 and 2; 4 and 5. Despite the extreme contrasts among t
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::99ec44565b955d30898a14b6c6ab57fd
https://doi.org/10.1093/oso/9780197543979.003.0021
https://doi.org/10.1093/oso/9780197543979.003.0021
Autor:
Pasticci, Susanna
Publikováno v:
Studi Musicali. 2009, Vol. 38 Issue 2, p445-485. 41p. 10 Diagrams.
Autor:
VALLINA, DANIEL MORO
Publikováno v:
Il Saggiatore Musicale. 2014, Vol. 21 Issue 1, p69-104. 36p.
Autor:
Distefano, Giovanni Vito
Publikováno v:
Between; V. 7, N. 14 (2017): Maschere del tragico
In an author such as Leopardi, inclined almost entirely towards the serious and not at all devoted to the dramatic art, it is nevertheless in a small tragicomic masterpiece that the first traces of a modern aesthetic of the sublime can be detected. T
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=unicaopenjou::a660ee8eb0d9c437edb2a0bd36eea6f8
https://ojs.unica.it/index.php/between/article/view/2784
https://ojs.unica.it/index.php/between/article/view/2784