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pro vyhledávání: '"Glenn Harcourt"'
Autor:
Glenn, Harcourt, Lisa, Temple-Cox
Publikováno v:
Dynamis (Granada, Spain). 36(1)
Why should an artist look to anatomical or pathological specimens as a reservoir of images with which to facilitate an articulation of his or her own artistic or personal identity? This is the starting point of a reflection on the disappearance of th
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=pmid________::12d535b7a765026e7f2b3cf56527784b
https://pubmed.ncbi.nlm.nih.gov/27363246
https://pubmed.ncbi.nlm.nih.gov/27363246
Autor:
Glenn Harcourt
Publikováno v:
RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage. 15:75-77
The early 1540s saw the publication of several printed and illustrated books that are properly identified as masterpieces of scientific publishing, including, in 1542, Leonhart Fuchs’s De historia stirpium (On the history of plants); and, in 1543,
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e5794274d3ca4f3ee984bef22e52e02b
https://doi.org/10.5860/rbm.15.1.417
https://doi.org/10.5860/rbm.15.1.417
Autor:
Glenn Harcourt
Publikováno v:
caa.reviews.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2693cff6afad3f4afe7dd9eae74d7ab1
https://doi.org/10.3202/caa.reviews.2015.14
https://doi.org/10.3202/caa.reviews.2015.14
Autor:
Glenn Harcourt
Publikováno v:
Representations. 17:28-61
IN JUNE OF 1543, the Basel printer Johannes Oporinus published a lavishly illustrated folio volume of 663 pages under the title De humani corporis fabrica libri septem by Andreas Vesalius of Brussels.2 That work, now universally referred to simply as
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::73e2dd8adb1e2cdb7ed12610be33f25d
https://doi.org/10.1525/rep.1987.17.1.99p0422b
https://doi.org/10.1525/rep.1987.17.1.99p0422b