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pro vyhledávání: '"Glen W. Norton"'
Autor:
Glen W. Norton
Publikováno v:
Alphaville: Journal of Film and Screen Media, Iss 20, Pp 237-242 (2021)
Stanley Cavell and Film is Catherine Wheatley’s entry in Bloomsbury’s “Film Thinks”, a series dedicated to explorations of cinema’s influence on thinkers such as Noël Carroll, Roland Barthes and Georges Didi-Huberman. Wheatley offers a tho
Externí odkaz:
https://doaj.org/article/8c9b33b1560b4276b4b6695493cd9560
Autor:
Glen W. Norton
Publikováno v:
Film-Philosophy, Vol 8, Iss 2 (2004)
Externí odkaz:
https://doaj.org/article/ac207b4fe1fb4a5e84dff2c43e877cc6
Autor:
Glen W. Norton
From the everyday concerns of Umberto D to the spiritual traces of Ma nuit chez Maud, revelatory moments are intrinsic to the fabric of cinematic modernism. Lived Moments conceptualizes the path from Italian Neorealism to the French New Wave as a tra
Autor:
Glen W. Norton
Publikováno v:
New Review of Film and Television Studies. 11:398-401
Hunter Vaughan, New York, Columbia University Press, 2013, 244 pp, £20.50 (paperback), ISBN 978-0231161336 The resurgence of phenomenological approaches within film studies, begun by Vivian Sobchac...
Autor:
Glen W. Norton
Publikováno v:
Studies in French Cinema. 9:25-36
This essay presents a new reading of Eric Rohmer's Ma nuit chez Maud (1969) which challenges the critical consensus that its depiction of religious faith and morality is ultimately ironic. The debate revolves around the protagonist's religious epipha
Autor:
Glen W. Norton
Publikováno v:
French Studies. 70:289-290
Autor:
Glen W. Norton
Publikováno v:
Film-Philosophy. 2