Zobrazeno 1 - 7
of 7
pro vyhledávání: '"Giuseppe G. Englert"'
Autor:
Giuseppe G. Englert
Publikováno v:
Computer Music Journal. 18:5
I present below a tool for composers to provoke their thoughts, teach, apply criticism, and defend themselves against criticism. This description is a "concept" (as I will define below) of such a tool. Because the description is concerned exclusively
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::df2075c96a32104879e8da823b04756e
https://doi.org/10.2307/3681347
https://doi.org/10.2307/3681347
Autor:
Giuseppe G. Englert
Publikováno v:
Leonardo Music Journal. 3:53
The motivations of the author for creating a new program with his partner Vincent Lesbros are explained—technical necessities (mostly connected with problems of live performance) love for counterpoint and for (poly-)modal, atonal and experimental m
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2c1dff86c9d2a4cf64508d742238fe41
https://doi.org/10.2307/1513270
https://doi.org/10.2307/1513270
Autor:
Giuseppe G. Englert, Marc Battier
Publikováno v:
Leonardo Music Journal. 3:85
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4a776119f9c40348cda7628257624429
https://doi.org/10.2307/1513279
https://doi.org/10.2307/1513279
Autor:
Sydney Leach, Giuseppe G. Englert
Publikováno v:
Journal of Electron Spectroscopy and Related Phenomena. 41:181-186
A musical transcription technique for amplifying differences between experimental and calculated photoelectron spectra is described and applied to the spectra ofphosphabenzene. This new diagnostic procedure includes the development of the transcribed
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::986a99e4d905493f5864741f71dcb9d3
https://doi.org/10.1016/0368-2048(86)85002-2
https://doi.org/10.1016/0368-2048(86)85002-2
Publikováno v:
Computer Music Journal. 5:30
This article describes work with minicomputers to control sound synthesis systems that function in real time. The particular system utilized for the present research is the Synclavier, made by New England Digital Corporation, Norwich, Vermont. This s
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b240638a85a9ba003c2583c9e1fd0291
https://doi.org/10.2307/3679504
https://doi.org/10.2307/3679504
Autor:
Marc Battier, Patrick Greussay, Jacques Arveiller, Gilbert Dalmasso, Giuseppe G. Englert, Didier Roncin, Chris Colere
Publikováno v:
Computer Music Journal. 4:40
We feel that the IC itself represents a process which encounters, interacts with, and controls other processes. These processes can be other ICs, or system processes defined in the software. This type of approach to musical software is related to oth
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5bd11e1d0af41bd90bd3252fe660bd69
https://doi.org/10.2307/3679637
https://doi.org/10.2307/3679637
Autor:
Horacio Vaggione, Conrad Cummings, Otto E. Laske, David A. Jaffe, David Rosenboom, Joel Chadabe, John Bischoff, Herbert Brun, Marc Battier, Curtis Roads, Kaija Saariaho, Stephan Kaske, Jean-Claude Risset, Clarence Barlow, Giuseppe G. Englert
Publikováno v:
Computer Music Journal. 10:40
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7119af1114d9e40bc4a1fcb8fe9e1a0a
https://doi.org/10.2307/3680297
https://doi.org/10.2307/3680297