Zobrazeno 1 - 10
of 27
pro vyhledávání: '"Giuseppe G. Englert"'
Autor:
Battier, Marc
Publikováno v:
Leonardo Music Journal, 1993 Jan 01. 3, 85-86.
Externí odkaz:
https://www.jstor.org/stable/1513279
Autor:
Giuseppe G. Englert, Marc Battier
Publikováno v:
Leonardo Music Journal. 3:85
Autor:
Chadabe, Joel
Publikováno v:
Computer Music Journal, 1984 Jul 01. 8(2), 64-64.
Externí odkaz:
https://www.jstor.org/stable/4617907
Autor:
Giuseppe G. Englert
Publikováno v:
Computer Music Journal. 18:5
I present below a tool for composers to provoke their thoughts, teach, apply criticism, and defend themselves against criticism. This description is a "concept" (as I will define below) of such a tool. Because the description is concerned exclusively
Autor:
Giuseppe G. Englert
Publikováno v:
Leonardo Music Journal. 3:53
The motivations of the author for creating a new program with his partner Vincent Lesbros are explained—technical necessities (mostly connected with problems of live performance) love for counterpoint and for (poly-)modal, atonal and experimental m
Autor:
Sydney Leach, Giuseppe G. Englert
Publikováno v:
Journal of Electron Spectroscopy and Related Phenomena. 41:181-186
A musical transcription technique for amplifying differences between experimental and calculated photoelectron spectra is described and applied to the spectra ofphosphabenzene. This new diagnostic procedure includes the development of the transcribed
Publikováno v:
Computer Music Journal. 5:30
This article describes work with minicomputers to control sound synthesis systems that function in real time. The particular system utilized for the present research is the Synclavier, made by New England Digital Corporation, Norwich, Vermont. This s
Autor:
Marc Battier, Patrick Greussay, Jacques Arveiller, Gilbert Dalmasso, Giuseppe G. Englert, Didier Roncin, Chris Colere
Publikováno v:
Computer Music Journal. 4:40
We feel that the IC itself represents a process which encounters, interacts with, and controls other processes. These processes can be other ICs, or system processes defined in the software. This type of approach to musical software is related to oth