Zobrazeno 1 - 10
of 50
pro vyhledávání: '"Giuseppe Di Giacomo"'
Autor:
Giuseppe Di Giacomo
Publikováno v:
Rivista di Estetica, Vol 70, Pp 60-74 (2019)
The paper aims at highlighting what the author considers to be the most significant philosophical articulations of Shakespeare’s Hamlet , whose power of attraction is largely conditioned by his own obscure nature. Starting from the reading of some
Externí odkaz:
https://doaj.org/article/baf88505679d4f0098c1cecdf496271f
Autor:
Giuseppe Di Giacomo
Publikováno v:
Aisthesis, Vol 11, Iss 1, Pp 55-66 (2018)
The essay proposes a notion of “icon” understood, according to the paradigm born of the Second Council of Nicaea (787 AD), as a visible image of the invisible qua invisible. In this light, the distinctive feature of the icon-image is its ability
Externí odkaz:
https://doaj.org/article/98557340cfc641158af680e197566c2b
Autor:
Giuseppe Di Giacomo
Publikováno v:
Journal of Pediatric and Neonatal Individualized Medicine, Vol 8, Iss 2, Pp e080227-e080227 (2019)
The Author focuses on the representation of the anatomical defects detected in Botticelli’s paintings as a process of individualization of the sitter. It seems coherent with the non idealistic patterns brought about by the newest acquaintance with
Externí odkaz:
https://doaj.org/article/b1335a88b9374e2384cd6b0ff816f676
Autor:
Giuseppe Di Giacomo
Publikováno v:
Rivista di Estetica, Vol 61, Pp 49-64 (2016)
The paper propos a focus upon two contemporary artists through Adorno’s idea of “modern art”, in other terms of an art able to counteract the globalization of the culture industry. The artistic production of Antoni Tàpies and Bill Viola replie
Externí odkaz:
https://doaj.org/article/7b01fea6e4564696b5901c1967003490
Autor:
Giuseppe Di Giacomo
Publikováno v:
Aisthesis, Vol 11, Iss 2 (2018)
This essay shows how, in Shakespeare’s Antony and Cleopatra, the relation between the protagonists can be seen as an insurmountable contrast between two different cultures – on the one hand, the “diurnal” and “rational” culture of Rome an
Externí odkaz:
https://doaj.org/article/270553bbcd5e4bc0a419714c959781c5
Autor:
Giuseppe Di Giacomo
Publikováno v:
Aisthesis, Vol 6, Iss 1, Pp 151-172 (2013)
If today a decidedly analytical interpretation of Wittgenstein’s thought seems to be dominant in many ways, there are, in my opinion, countless reasons that lead instead to reintroduce the possibility, and even the opportunity, of a different readi
Externí odkaz:
https://doaj.org/article/1593c1c4f93842bb9141592a9fc8e862
Autor:
Giuseppe Di Giacomo
Publikováno v:
Rivista di Estetica, Vol 52, Pp 235-256 (2013)
The paper proposes a new understanding of the notion of “aura” as it emerges, including similarities and differences, in the aesthetic thought of Walter Benjamin and Theodor W. Adorno. In particular, the paper shows how, not only in Adorno but al
Externí odkaz:
https://doaj.org/article/c1d4ce56c2334e0c8cca562357c9d305
Autor:
Giuseppe Di Giacomo
Publikováno v:
Aisthesis, Vol 3, Iss 2 (2012)
Starting from Warburg, the distinguishing mark of an image, considered as identity-difference of visible and invisible, is its offering itself as an implementation of a temporality, and at the same time of a memory that is immanent in the sensible st
Externí odkaz:
https://doaj.org/article/fa928eb95e9145a891a2e163208194d3
Autor:
Giuseppe Di Giacomo, Benjamin Lerch
Publikováno v:
SSRN Electronic Journal.
In the mobile-edge-cloud continuum, a plethora of heterogeneous data sources and computation-capable nodes are available. Such nodes can cooperate to perform a distributed learning task, aided by a learning controller (often located at the network ed
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::8379f939c2c892d480f1302579c2073b