Výsledky vyhledávání

IMAGES OF CHINA IN THE CREATIVE MIND OF G. R. DERZHAVIN AND A. S. PUSHKIN

Autor: Gitr Film, Zhou Lu, Aleksandr Pavlovich Liusyi

Publikováno v: Russkaya literatura. 2:40-49

The article reveals the genesis and structure of the «Chinese Text» of Russian literature in the 18th–19th centuries. Its subsequent evolution is shown — how, stepping into the parks, Catherine’s Chinese became more consistent and philosophic

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::270167c434fab63068bd1c3df50d1522
https://doi.org/10.31860/0131-6095-2021-2-40-49

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CRITICISM OF CERTAIN PROVISIONS OF THE PERFORMANCE THEORY BY ERIKA FISCHER-LICHTE (on the example of participatory performances)

Autor: Gitr Film, Anton A. Denikin

Publikováno v: THE ART AND SCIENCE OF TELEVISION. 17:139-170

The article attempts to critically analyze the performance theory created by the German scholar Erika Fischer-Lichte. The theory is applicable to some performative art practices, but nevertheless its key provisions do not fully meet the objectives, c

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::24321e24d653e5c2cdecfc491bbfae32
https://doi.org/10.30628/1994-9529-2021-17.1-139-170

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'WHEN THE HORN THAWED, THE TUNE POURED OUT': PAVEL LUNGIN ON THE MAKING OF TAXI BLUES

Autor: Elizaveta S. Trusevich, Gitr Film, Pyotr A. Klemeshev, Pavel S. Lungin

Publikováno v: The Art and Science of Television. 17:118-148

Russian film director Pavel Lungin explores the topic of independent cinema during perestroika, using the example of his debut film Taxi Blues, which received one of the first international awards in post-Soviet Russia—the Best Director Prize and t

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::9f1986ca4cc3de07d0a7c1661dee75aa
https://doi.org/10.30628/1994-9529-2021-17.3-118-148

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INTERNATIONAL SCIENTIFIC CONFERENCE ATTRACTIONS OF SCREEN CIVILIZATION AND HUMAN CONCEPT

Autor: Elena A. Bogatyreva, Gitr Film

Publikováno v: THE ART AND SCIENCE OF TELEVISION. 16:9-20

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::d8a75a79778d7e15a7f520d3837988bd
https://doi.org/10.30628/1994-9529-2020-16.2-9-20

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THE AUTHENTICITY OF THE PHANTOM. ON NEW SIMULATION METHODS OF THE ALTERNATIVE PAST IN SCREEN CULTURE (based on the series Chernobyl)

Autor: Gitr Film, Aleksey I. Pozharov

Publikováno v: The Art and Science of Television. 16:33-57

The article analyzes the phenomenon of increased interest among the modern mass recipients in cultural artifacts that simulate various models of the phantom past, and in new ways of constructing it. Falsification of history for various purposes has b

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::6055244fd2c88b5a84f0bd72487f5c1e
https://doi.org/10.30628/1994-9529-2020-16.3-33-57

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