Zobrazeno 1 - 10
of 16
pro vyhledávání: '"Giovanna Rizzarelli"'
Autor:
Giovanna Rizzarelli
Il Morgante di Luigi Pulci e l’Inamoramento de Orlando di Matteo Maria Boiardo esercitarono fin dalle prime apparizioni a stampa un influsso determinante nella letteratura italiana ed europea. Com’...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::97012d2f59f225487c3fdfc034f5f295
http://www.tandfonline.com/loi/yits20#.VwHgQk1f1Qs
http://www.tandfonline.com/loi/yits20#.VwHgQk1f1Qs
Autor:
Giovanna Rizzarelli
Publikováno v:
Renaissance Quarterly. 71:1558-1560
Autor:
Giovanna Rizzarelli
L’intervento si propone di investigare un caso esemplare di doppio talento, quello del fiorentino Benvenuto Cellini. A dispetto, infatti, della esigua attenzione critica per tale fenomeno di mutualità espressiva, la consapevolezza di una disposizi
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::890b753d0f0c33af9321cb0f3db32093
http://hdl.handle.net/11392/2479580
http://hdl.handle.net/11392/2479580
Autor:
Giovanna Rizzarelli
Unlike the Orlando furioso, the Inamoramento de Orlando, even in its earliest editions, was generally not illustrated by original engravings. Figurative sets produced for other poems, mostly illustrations inspired by the Morgante and the Furioso, wer
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::56537c83cbc5442712b2b4f880ec305f
http://hdl.handle.net/11392/2473013
http://hdl.handle.net/11392/2473013
Autor:
Mattioda, Enrico, Caputo, Vincenzo, Contini, Milena Maria, Alessio, Cotugno, Donatella, Fratini, Rosanna, Morace, Emilie, Passignat, Giovanna, Rizzarelli, Russo, Maria Luisa, Giulia, Tellini, Stefania Tullio Cataldo
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od_______970::d50a0be7ba8320c31b03e4b6f74eced1
http://hdl.handle.net/2318/1677387
http://hdl.handle.net/2318/1677387
Autor:
Giovanna Rizzarelli
Italo Calvino has often pointed out that the three novels of the trilogy Our Ancestors have their primary inspiration in specific images. He, however, has never remarked that the three visual sources belong to the same metaphorical field: the body an
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::4e71fe320e1d1e456b9516d95c5a6fe2
http://hdl.handle.net/11392/2473967
http://hdl.handle.net/11392/2473967