Zobrazeno 1 - 10
of 22
pro vyhledávání: '"Giovanna Fossati"'
Autor:
Giovanna Fossati
Publikováno v:
NECSUS, Vol 10, Iss 2, Pp 127-133 (2021)
Externí odkaz:
https://doaj.org/article/d9430cd95ed7426d81529964ec631933
Autor:
Giovanna Fossati
In From Grain to Pixel, Giovanna Fossati analyzes the transition from analog to digital film and its profound effects on filmmaking and film archiving. Reflecting on the theoretical conceptualization of the medium itself, Fossati poses significant qu
Autor:
Giovanna Fossati, Elif Rongen-Kaynakci, Sarah Street, Joshua Yumibe, Victoria Jackson, Bregt Lameris
Sparked by a groundbreaking Amsterdam workshop titled ŸDisorderly Order: Colours in Silent Film,Œ scholarly and archival interest incolour as a crucial aspect of film form, technology and aesthetics has enjoyed a resurgence in the past twenty years
Autor:
Annie van den Oever, Giovanna Fossati
Publikováno v:
Post-cinema ISBN: 9789048551941
Post-cinema
Post-cinema
Contributing to the cinema death topic while focusing on national film institutes, Giovanna Fossati and Annie van den Oever observe that, while it can be said that processes of digitalization (which raise the question as to whether the notion of film
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::52f623513377af719a7a701d69729221
https://doi.org/10.5117/9789463727235_ch07
https://doi.org/10.5117/9789463727235_ch07
Autor:
José Moure, Dominique Chateau, Dudley Andrew, André Gaudreault, Philippe Marion, Céline Scemama, Victor Burgin, Giovanna Fossati, Annie Oever, Christophe Génin, François Jost, Malte Hagener, Francesco Casetti, Andrea Pinotti, Miriam Rosa, Gabriela Rivadeneira Crespo, Richard Conte, Christophe Viart, Eugénie Zvonkine, Gérard Courant, Wang Bing
Post-cinema designates a new way of making films. It is time to ask whether this novelty is complete or relative and to evaluate to what extent it represents a unitary or diversified current. The book proposes to integrate the post-cinema question wi
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::cb0f0934cf56b46ebcd440de04ba181e
https://doi.org/10.5117/9789463727235
https://doi.org/10.5117/9789463727235
Autor:
Victoria Jackson, Claudy Op den Kamp, Barbara Flückiger, Giovanna Fossati, Bregt Lameris, David Pfluger, Elif Rongen-Kaynakci
Publikováno v:
The Colour Fantastic. :237-260
While the digitization of archival films has been practiced for more than a decade, there is still a lack of academic rigour in this field, both on a scien tific as well as on an interdisciplinary level. Therefore, we are in need of a bet ter underst
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::25de1387889b64bea393ef87e0ec7e7d
https://doi.org/10.1017/9789048532988.014
https://doi.org/10.1017/9789048532988.014
Publikováno v:
The moving image, 16(1), 82-105. University of Minnesota
The article discusses the results of the research project “Data-Driven Film History: A Demonstrator of EYE's Jean Desmet Collection” (2014–15). With a team of media scholars, archivists, and software developers, we conducted data-driven researc
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::fba1534a407f7c067f4026ce89feb7c3
https://dare.uva.nl/personal/pure/en/publications/datadriven-research-for-film-history(fe89bad5-bfdf-4d8e-9c18-2ede3a2bb6ec).html
https://dare.uva.nl/personal/pure/en/publications/datadriven-research-for-film-history(fe89bad5-bfdf-4d8e-9c18-2ede3a2bb6ec).html