Zobrazeno 1 - 8
of 8
pro vyhledávání: '"Giorgio Fichera"'
Publikováno v:
Images Re-Vues, Vol 20 (2023)
In may 2022, at the Centre d’Histoire et Théorie des Arts (EHESS), Giorgio Fichera and Clara Lieutaghi met Giovanni Careri to discuss the Journal Images re-vues at its origins and the intellectuel milieu in whitch it was created. The discussion al
Externí odkaz:
https://doaj.org/article/a653b624ce4b481eacab82eb48b0ac1d
Publikováno v:
Images Re-Vues, Vol 20 (2023)
In July 2022, in the library of the Centre d'histoire et Théorie de l'Art, the journal’s team discussed the intellectual history of the laboratories that founded it (CEHTA, LAS, GAHOM-ALHOMA, ANHIMA). Giorgio Fichera, Clémentine Girault and Clovi
Externí odkaz:
https://doaj.org/article/2d7b37dff3334e32b346014fdf4156f1
Autor:
Giorgio Fichera, Chloé Clovis Maillet
Publikováno v:
Images Re-Vues, Vol 17 (2020)
Externí odkaz:
https://doaj.org/article/055ae93dd7d24f5c8d0fbe885bbe8e10
Autor:
Chloé Maillet, Giorgio Fichera
Publikováno v:
Images re-vues.
La vision peut presenter un interet pour echapper aux oppositions binaires. Je voudrais insister sur la nature incorporee de toute vision, et ainsi reconquerir le systeme sensoriel qui a servi a signifier un saut hors du corps marque vers un regard d
Che cosa è accaduto da un punto di vista culturale e sociale in questo 2023? Che cosa abbiamo letto? Che cosa abbiamo visto? Quali sono i temi, le opere e le questioni che il nostro presente ci ha posto? E quali i “nomi propri” di cui è ricorso
Autor:
Peter Frei, Nelly Labère
What does obscene mean? What does it have to say about the means through which meaning is produced and received in literary, artistic and, more broadly, social acts of representation and interaction? Early modern France and Europe faced these questio
Les traités de manières et les traités artistiques, de même que le discours amoureux dans le domaine littéraire, se sont donnés la tâche de définir, voire de codifier, la gestuelle amoureuse et établissent notamment des relations entre le do
Autor:
Francesco Zucconi
This book takes its start from a series of attempts to use Caravaggio's works for contemporary humanitarian communications. How did his Sleeping Cupid (1608) end up on the island of Lampedusa, at the heart of the Mediterranean migrant crisis? And why