Zobrazeno 1 - 10
of 49
pro vyhledávání: '"Giorgio Avezzù"'
Autor:
Giorgio Avezzù
Publikováno v:
Series. International journal of tv serial narratives, Vol 6, Iss 1, Pp 91-106 (2020)
The article aims at analyzing the regional consumption of mainstream Italian seriality covering a period of four years (2016-2019). It underlines the great heterogeneity of “fiction” consumption throughout Italy, and demonstrates how the correlat
Externí odkaz:
https://doaj.org/article/76ed562808ec4db9b85c1ae0c46226f8
Autor:
Giorgio Avezzù
Publikováno v:
Cinergie, Vol 8, Iss 16, Pp 163-180 (2019)
As also TV commissioners say, locations are taking on a growing importance in Italian TV series. Indeed, academic research has often focused on the relevance that locations have for territorial marketing and tourism market – that is, on the effect
Externí odkaz:
https://doaj.org/article/b924ff6fe7784607822db80bb0b6ab55
Publikováno v:
NECSUS, Vol 7, Iss 2, Pp 85-95 (2018)
This paper introduces the journal’s special section on #Mapping and media by presenting an overview of the core debates addressing their mutual intertwining. By foregrounding the centrality of world-making, as well as its cognate mapping impulse, t
Externí odkaz:
https://doaj.org/article/ea86d2575c204ad7b5af7b2552304816
Autor:
Giorgio Avezzù, Giuseppe Fidotta
Publikováno v:
Cinergie, Vol 5, Iss 10, Pp 10-18 (2017)
Externí odkaz:
https://doaj.org/article/04b3397c8782463fb9043d2ab78f9b3e
Autor:
Giorgio Avezzù
Publikováno v:
Ocula, Vol 20, Iss 18 (2019)
This paper aims at offering a geocritical exploration of cinema starting from The Black Dahlia (Brian De Palma, 2006) and retracing the tradition of the noir film genre, taking into consideration the peculiar relations between this genre and "real" s
Externí odkaz:
https://doaj.org/article/14921494b5d74a449cb567b3bfada116
Autor:
Giorgio Avezzù
Publikováno v:
Journal of Aesthetics & Culture, Vol 11, Iss 1 (2019)
While “screen” is usually considered a word with a Nordic origin, its older and forgotten classical root shows that its semantic field is more curious than media archaeology commonly thinks. Above all, this proves the existence of a long-lasting
Externí odkaz:
https://doaj.org/article/9582d7df43b642e789add5813d722876
Autor:
Giorgio Avezzù
Publikováno v:
Cinéma & Cie, Vol 18, Iss 30 (2018)
Externí odkaz:
https://doaj.org/article/18d18c1fe967403fa037b7a74c607019
Autor:
Giorgio Avezzù
Publikováno v:
Cinéma & Cie, Vol 17, Iss 29 (2017)
There is a widespread myth and rhetoric, even in academic discourse, about data and VOD recommender systems, especially with regard to the notion of automation and the innocence of this presumed automation. Behind this rhetoric lies the de-humanizati
Externí odkaz:
https://doaj.org/article/a3deee61aed54909926ef919c832bb3b
Autor:
Giorgio Avezzù
Publikováno v:
Cinergie, Vol 5, Iss 9, Pp 163-164 (2016)
Externí odkaz:
https://doaj.org/article/402d5364489a45178eece8e046adfcf1
Autor:
Giorgio Avezzù
Publikováno v:
Cinéma & Cie, Vol 13, Iss 20 (2013)
This article aims at considering the world cinema “perspective” in contemporary film studies as an approach that adopts a cartographical rhetoric and a worldist aesthetics. This reveals a nostalgia for the geographical discourse, which has many i
Externí odkaz:
https://doaj.org/article/d70cae2558004f8aa1f5966d1d01d4bb