Zobrazeno 1 - 10
of 17
pro vyhledávání: '"Gillian Osmond"'
Publikováno v:
AICCM Bulletin. 42:118-131
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::cc3e1e350e21d1edbc309e4248d98587
https://doi.org/10.1080/10344233.2022.2104548
https://doi.org/10.1080/10344233.2022.2104548
Publikováno v:
Conservation of Modern Oil Paintings ISBN: 9783030192532
The Dulux Archives in Melbourne hold a set of four laboratory notebooks written by Brian Roberts while a trainee paint chemist at British Australian Lead Manufacturers (BALM) Pty. Ltd. in 1949. This paper focuses on information contained in the noteb
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c318f71a31634f954711ceb8f260beb6
https://doi.org/10.1007/978-3-030-19254-9_5
https://doi.org/10.1007/978-3-030-19254-9_5
Autor:
Gillian Osmond
Publikováno v:
Metal Soaps in Art ISBN: 9783319906164
Zinc white – zinc oxide – is a prevalent industrial age pigment which readily reacts with fatty acids in oil-based paints to form zinc carboxylates (zinc soaps). Pigment properties, oil composition, paint additives and environmental conditions ar
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::45fc772c714fff5f0f6df457f9efe834
https://doi.org/10.1007/978-3-319-90617-1_2
https://doi.org/10.1007/978-3-319-90617-1_2
Autor:
Francesca Casadio, Katrien Keune, Petria Noble, Annelies Van Loon, Ella Hendriks, Silvia A. Centeno, Gillian Osmond
This go-to reference work surveys the current state of knowledge in the field of metal soap-related degradation phenomena in art works. It contains detailed descriptions and images of the different phenomena and addresses the practical aspects of soa
Autor:
Sophie Theobald Clark, Gillian Osmond
Publikováno v:
AICCM Bulletin. 37:51-65
The William Robinson Gallery is the only gallery in Australia dedicated to the work of a living artist. The significance of this collection in conjunction with the artist's co-operation has provided impetus for a research project dedicated to compili
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::84fbe81fb8a1590e5283e443dd0fb020
https://doi.org/10.1080/10344233.2016.1238864
https://doi.org/10.1080/10344233.2016.1238864
Autor:
Zhi Zhang, Joen J. Hermans, Katrien Keune, Robyn Chapman, John Drennan, Kevin S. Jack, Annelies van Loon, Garry Morgan, Gillian Osmond, Piet D. Iedema, Michael J. Monteiro, Ronald Rasch
Publikováno v:
Microscopy and Microanalysis, 24(3), 318-322. Cambridge University Press
Using the recently developed techniques of electron tomography, we have explored the first stages of disfiguring formation of zinc soaps in modern oil paintings. The formation of complexes of zinc ions with fatty acids in paint layers is a major thre
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::af6b973262182b173f79d653992fc330
https://pubmed.ncbi.nlm.nih.gov/29860951
https://pubmed.ncbi.nlm.nih.gov/29860951
Zinc oxide-centred deterioration in 20thcentury Vietnamese paintings by Nguyễ Trọng Kiệm (1933–1991)
Publikováno v:
AICCM Bulletin. 34:4-14
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::274ddf83ca2076a7db465038990a9d3f
https://doi.org/10.1179/bac.2014.34.1.002
https://doi.org/10.1179/bac.2014.34.1.002
Publikováno v:
AICCM Bulletin. 34:34-43
A study of 13 paintings dating between 1950 and 1964 by artist Ian Fairweather (1891–1974) is used to explore the painting materials available to the artist in the 1950s and early 1960s in Australia. Research explores the key dates of 1939, when Fa
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::29423cee7b9aba5623afec140a113cfd
https://doi.org/10.1179/bac.2013.34.1.005
https://doi.org/10.1179/bac.2013.34.1.005
Publikováno v:
AICCM Bulletin. 34:4-14
Five paintings dated 1963–1980, by Vietnamese artist Nguyen Trọng Kiệm (1933–1919) in the Witness Collection, are investigated through study of paint cross–sections. Zinc oxide predominates in all paintings, and has strongly influenced thei
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::895a82488fe7fa972e0c25ec0bf1e3a0
https://doi.org/10.1179/bac.2013.34.1.002
https://doi.org/10.1179/bac.2013.34.1.002
Autor:
Gillian Osmond
Publikováno v:
AICCM Bulletin. 33:20-29
Zinc oxide became a frequent component of 20th-century paints following its first commercial availability in the previous century. Aspects of zinc oxide pigment production and paint formulation which influence the reactive tendencies of zinc oxide in
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::70d07d2d661715978d0d2d8e5697d7a4
https://doi.org/10.1179/bac.2012.33.1.004
https://doi.org/10.1179/bac.2012.33.1.004