Zobrazeno 1 - 8
of 8
pro vyhledávání: '"Gibson Alessandro Cima"'
Autor:
Gibson Alessandro Cima
Publikováno v:
Modern Drama. 64:117-119
abstract: A Century of South African Theatre revises and updates Loren Kruger’s seminal book, The Drama of South Africa. Kruger rejects essentializing categories such as African or European, arguing that South African theatre mixes local and transn
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::790fc1b486ba89669001c3c7d5a8a307
https://doi.org/10.3138/md.64.1.br3
https://doi.org/10.3138/md.64.1.br3
Autor:
Gibson Alessandro Cima
Publikováno v:
Comparative Drama. 55:116-118
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1100b3e27015be54a2367b24667f32a5
https://doi.org/10.1353/cdr.2021.0005
https://doi.org/10.1353/cdr.2021.0005
Autor:
Gibson Alessandro Cima
Publikováno v:
Theatre Journal. 72:531-533
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1bf124b44a6027a5bfa674578365908a
https://doi.org/10.1353/tj.2020.0115
https://doi.org/10.1353/tj.2020.0115
Autor:
Gibson Alessandro Cima
Publikováno v:
Theatre Journal. 70:43-63
Since the late twentieth century, nations shifting from a repressive regime to a liberal democracy have turned to transitional justice mechanisms, such as truth commissions, to help bridge this gap. With Truth in Translation , a 2006 musical about So
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a014da2089eec0ed09255ac004eda3a9
https://doi.org/10.1353/tj.2018.0003
https://doi.org/10.1353/tj.2018.0003
Autor:
Gibson Alessandro Cima
Publikováno v:
South African Theatre Journal. 27:207-221
Under the direction of Josias Moleele, a group of students from Tshwane University of Technology (TUT) in Pretoria revived Mbongeni Ngema's iconic anti-apartheid musical Sarafina! at the Soweto Theatre in July 2013. Moleele cast Tumi Lesejane, a blac
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::772a199dc2bfac341ec5467cc8615a58
https://doi.org/10.1080/10137548.2014.974310
https://doi.org/10.1080/10137548.2014.974310
Autor:
Gibson Alessandro Cima
Publikováno v:
Theatre Journal. 69:285-286
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::cbfa73e843f06c5465ae70a172026939
https://doi.org/10.1353/tj.2017.0039
https://doi.org/10.1353/tj.2017.0039
Autor:
Gibson Alessandro Cima
Publikováno v:
Theatre Survey. 50:91-118
On 30 June 2006 at the annual National Arts Festival in Grahamstown, South Africa, two giants of South African protest theatre, John Kani and Winston Ntshona, performed as the original cast of the landmark struggle drama Sizwe Banzi Is Dead (1972). T
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e81777543a4b0d94868d5155db482950
https://doi.org/10.1017/s0040557409000088
https://doi.org/10.1017/s0040557409000088
Autor:
Gibson Alessandro Cima
Publikováno v:
Theatre Journal. 66:639-341
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::893725ba4ce122db26a8397ca9d113f6
https://doi.org/10.1353/tj.2014.0114
https://doi.org/10.1353/tj.2014.0114