Zobrazeno 1 - 10
of 26
pro vyhledávání: '"Gianluca Poldi"'
Autor:
Maria Letizia Amadori, Gianluca Poldi, Mara Camaiti, Fabio Frezzato, Antonella Casoli, Giulia Germinario, Elena Monni, Cecilia Pedulli, Valeria Mengacci
Publikováno v:
Applied Sciences, Vol 13, Iss 17, p 9739 (2023)
After a huge non-invasive diagnostic campaign performed on the corpus of Giovanni Santi’s artworks, three paintings were selected and investigated: the Martyrdom of Saint Sebastian panel, the Visitation altarpiece and the canvas with Tobias and the
Externí odkaz:
https://doaj.org/article/e9beabc19f144827b76287fb9a528104
Publikováno v:
Heritage, Vol 5, Iss 1, Pp 42-60 (2021)
Two paintings, made on aluminium support by Silvio Pasotti (among the major exponents of 1960s Italian pop art) were investigated in a totally non-invasive manner to identify the materials used by the artist. Raman spectroscopy, Fourier-transform inf
Externí odkaz:
https://doaj.org/article/3a350ca853694892904aaaa4e18c480c
Publikováno v:
Applied Sciences, Vol 13, Iss 6, p 3581 (2023)
The most important painter from Urbino in the last decades of the 15th century (1439 ab.–1494) was Giovanni Santi, the father of Raphael. The lack of scientific literature about Santi’s practice and the possible peculiar role of Urbino in the dev
Externí odkaz:
https://doaj.org/article/077a17bb315144f3b0b98b54e2bdedba
Autor:
Maria Letizia Amadori, Emad Matin, Gianluca Poldi, Valeria Mengacci, Jgor Arduini, Pierfrancesco Callieri, Alireza Askari Chaverdi, Parviz Holakooei
Publikováno v:
Journal of Cultural Heritage. 60:63-71
Publikováno v:
Heritage; Volume 5; Issue 1; Pages: 42-60
Two paintings, made on aluminium support by Silvio Pasotti (among the major exponents of 1960s Italian pop art) were investigated in a totally non-invasive manner to identify the materials used by the artist. Raman spectroscopy, Fourier-transform inf
Autor:
Marco Gargano, Michele Caccia, Letizia Bonizzoni, Anna Galli, Marco Martini, Gianluca Poldi, Nicola Ludwig
Publikováno v:
Microchemical journal
155 (2020): 104730. doi:10.1016/j.microc.2020.104730
info:cnr-pdr/source/autori:Galli A.; Caccia M.; Bonizzoni L.; Gargano M.; Ludwig N.; Poldi G.; Martini M./titolo:Deep inside the color: How optical microscopy contributes to the elemental characterization of a painting/doi:10.1016%2Fj.microc.2020.104730/rivista:Microchemical journal (Print)/anno:2020/pagina_da:104730/pagina_a:/intervallo_pagine:104730/volume:155
155 (2020): 104730. doi:10.1016/j.microc.2020.104730
info:cnr-pdr/source/autori:Galli A.; Caccia M.; Bonizzoni L.; Gargano M.; Ludwig N.; Poldi G.; Martini M./titolo:Deep inside the color: How optical microscopy contributes to the elemental characterization of a painting/doi:10.1016%2Fj.microc.2020.104730/rivista:Microchemical journal (Print)/anno:2020/pagina_da:104730/pagina_a:/intervallo_pagine:104730/volume:155
In the context of paintings characterization, X-Ray Fluorescence (XRF) combined with Fibre Optics Reflectance Spectroscopy (FORS) is a well-known methodology. The latter allows to classify the pigments constituting the external layers (few microns) o
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::c1bb405f4f0a68b9e6c750ce4bedacc8
http://hdl.handle.net/10281/272784
http://hdl.handle.net/10281/272784
Publikováno v:
Science and Art. The contemporary painted surface. Cambridge: The Royal Society of Chemistry, 2020
info:cnr-pdr/source/autori:Gianluca Poldi, Chiara Anselmi, Alessia Daveri and Manuela Vagnini/titolo:Josef Albers' Use of 20th Century Pigments: A Non-invasive Analytical Approach/titolo_volume:Science and Art. The contemporary painted surface/curatori_volume:/editore: /anno:2020
info:cnr-pdr/source/autori:Gianluca Poldi, Chiara Anselmi, Alessia Daveri and Manuela Vagnini/titolo:Josef Albers' Use of 20th Century Pigments: A Non-invasive Analytical Approach/titolo_volume:Science and Art. The contemporary painted surface/curatori_volume:/editore: /anno:2020
A survey about Josef Albers' painting materials is presented through non-invasive spectroscopic analyses. Josef Albers (1888-1976), a German-born, Bauhaus-educated designer, moved in 1934 to the United States, where he became a globally influential a
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=cnr_________::ffaf86e0b79f29de3f299bd313b93160
http://www.cnr.it/prodotto/i/436355
http://www.cnr.it/prodotto/i/436355
A survey about Josef Albers' painting materials is presented through non-invasive spectroscopic analyses. Josef Albers (1888–1976), a German-born, Bauhaus-educated designer, moved in 1934 to the United States, where he became a globally influential
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8bed17d36b8c59fafc5f96b32541c2c8
https://doi.org/10.1039/9781788016384-00067
https://doi.org/10.1039/9781788016384-00067
Autor:
Arianna Passaretti, Vittoria Guglielmi, Chiara Zaffino, Gianluca Poldi, Alessandra Tibiletti, Silvia Bruni, Ilaria Saccani, Maria Fratelli, Roberto Bestetti
Publikováno v:
Journal of Cultural Heritage. 23:87-97
The present study aims to the characterization of the materials at the disposal of the artist Lucio Fontana. In particular, several analytical techniques were employed to determine the chemical composition of thirteen inks found in Fontana's studio i
Autor:
Gianluca Poldi
Publikováno v:
Dinamismo di un corpo umano
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a908c29e30916299d7c643511e58a575
https://doi.org/10.2307/j.ctvkwnn3s.10
https://doi.org/10.2307/j.ctvkwnn3s.10