Zobrazeno 1 - 10 of 24 pro vyhledávání: '"Gianluca Fantoni"'
1
The Revolution Will Be Televised: The Italian Communist Party, Public Television Broadcasting and the ‘Free Television’ Experiment
Autor: Gianluca Fantoni
Publikováno v: Contemporary European History. :1-16
It is a little-known fact that the Italian Communist Party invested vast financial resources in the establishment of a network of local television stations. By 1980, there were as many as twenty of these stations. This article examines how the PCI's
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::cc7dc8948df091576346e4d319b52b4d
https://doi.org/10.1017/s0960777321000692
Zobrazit plný text záznamu
4
The Jewish Brigade Group and Italy: a political and historiographical quarrel
Autor: Gianluca Fantoni
This article demonstrates how the emergence of a new non-scholarly literature about the Jewish Brigade Group produced contrasting interpretations, in Italy, of the role both the Jews and Arabs of Palestine played during WWII. This led to a political
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::e6608e1cc52c2f4fbc8fb3a91a50d22f
https://irep.ntu.ac.uk/id/eprint/42298/1/1408302_Fantoni.pdf
Zobrazit plný text záznamu
5
Women’s Issues, Feminism, and the PCI
Autor: Gianluca Fantoni
Publikováno v: Italy through the Red Lens ISBN: 9783030691967
This chapter traces the party’s cinematographic engagement with women from the foundation of Unitelefilm onwards, and draws some conclusions regarding the evolution of the Italian Communist outlook on women’s issues. Because it was designed to ad
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::69de175efd3bd7827ddbd7f9accf9e25
https://doi.org/10.1007/978-3-030-69197-4_10
Zobrazit plný text záznamu
6
Togliatti’s Partito nuovo and Italian Cinema
Autor: Gianluca Fantoni
Publikováno v: Italy through the Red Lens ISBN: 9783030691967
This chapter deals with the PCI’s history during the early post-war years and engages with the historiography of the Italian Communist Party. The chapter focuses especially on three issues, which have been the object of extensive scholarly investig
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::3d246a0b52a51d85b8f53c9f6a3b79e7
https://doi.org/10.1007/978-3-030-69197-4_2
Zobrazit plný text záznamu
7
The First Years of Unitelefilm and the PCI After Togliatti (1964–1967)
Autor: Gianluca Fantoni
Publikováno v: Italy through the Red Lens ISBN: 9783030691967
This chapter concerns Unitelefilm’s early production, from 1964 to 1967. First, the chapter briefly illustrates Unitelefilm’s management and production context and discusses at length L’Italia con Togliatti (Italy with Togliatti), a documentary
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::6e8af2b0c1013d3338749e0acd975ac3
https://doi.org/10.1007/978-3-030-69197-4_5
Zobrazit plný text záznamu
9
The Early 1970s: Unitelefilm, the Fascist Threat, and the ‘Historic Compromise’
Autor: Gianluca Fantoni
Publikováno v: Italy through the Red Lens ISBN: 9783030691967
The chapter analyses the films produced by the PCI in the first half of the 1970s. A few notable films were produced in this period, including Trevico—Torino, by renowned filmmaker Ettore Scola. The virulent political campaign unleashed by the neo-
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::a8147eba1d619536fb31baab7f573b98
https://doi.org/10.1007/978-3-030-69197-4_8
Zobrazit plný text záznamu

Vyhledávací nástroje:

Upřesnit hledání

Omezení vyhledávání
Plný text Recenzováno Digitální knihovna AV ČR
Zdroje