Zobrazeno 1 - 10
of 39
pro vyhledávání: '"Gianluca Del Monaco"'
Autor:
Gianluca del Monaco
Publikováno v:
Intrecci d'arte, Iss 11, Pp 7-31 (2023)
The article focuses on codex XXV held at the Biblioteca Capitolare di Vercelli, a partially illuminated copy of the early manuscript tradition of the Decretum Gratiani, originally titled as Concordia discordantium canonum, which became shortly after
Externí odkaz:
https://doaj.org/article/5b2a9e50f6024d9ab98c9e5f278e6c71
Publikováno v:
Eikón Imago, Vol 12 (2023)
Editorial introduction to “Imago, ius, religio. Religious Iconographies in Illustrated Legal Manuscripts and Printed Books (9th-20th)”. The aim of this monographic issue is to analyse the use of religious iconographies in legal manuscripts and pr
Externí odkaz:
https://doaj.org/article/6df23173093f4fc6baf64ac34132710a
Autor:
Gianluca del Monaco
Publikováno v:
Clio@Themis, Vol 21 (2021)
The Digestum vetus 941 of the Biblioteca Universitaria di Padova, dating back to the first half of the twelfth century, is well known to the studies among the witnesses of the earliest manuscript tradition of the work. However, the fine penwork initi
Externí odkaz:
https://doaj.org/article/df11ccba6e464c86834c9771b6aad4b2
Autor:
Gianluca Del Monaco
Publikováno v:
Intrecci d'arte, Vol 7, Iss 7, Pp 9-25 (2018)
The Carmelite Basilica of San Martino Maggiore is among the Bolognese mendicant churches with the most important evidence of fourteenth-century painted decoration, together with San Giacomo Maggiore, the seat of the Hermits of St. Augustine, and Sant
Externí odkaz:
https://doaj.org/article/12db04c8aaa74e90865fcc26c01c0f2b
Autor:
Gianluca del Monaco
Publikováno v:
Intrecci d'arte, Vol 5, Iss 1 (2016)
The paper presents a first systematic analysis of the issues of pictorial narrative raised by the well known Trecento fresco cycle with Stories of the Old and New Testament formerly decorating the church of Santa Maria di Mezzaratta on the Bolognese
Externí odkaz:
https://doaj.org/article/4146d4dada0c477ca05d99c28595c5f2
Autor:
Gianluca del Monaco
Publikováno v:
Intrecci d'arte, Vol 1, Iss 1 (2012)
Una pittura murale trecentesca raffigurante la Pietà si trova nascosta in una cavità immediatamente a destra dell’urna con le ossa del beato Simone da Todi nella cappella di sant’Alessio in San Giacomo Maggiore a Bologna.Il dipinto è già cita
Externí odkaz:
https://doaj.org/article/a3c86cd97f2242e3aac3dc8894ad508b
Introduzione dei curatori al numero monografico "Il «fare» pensato. Le parole degli artisti, le idee dell’arte".
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______4094::af35c7d97898092daca16846e6bce8c7
https://hdl.handle.net/11585/906726
https://hdl.handle.net/11585/906726
Autor:
Gianluca del Monaco
The article presents a brief survey of how book illumination is considered in a few of the primary medieval texts on artistic techniques. It is intended to scrutinize which themes are explored and how and with which words they are examined. The texts
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______4094::68e1d201fe5d5de2a854f83b1d5f5638
https://hdl.handle.net/11585/906741
https://hdl.handle.net/11585/906741
Autor:
Gianluca del Monaco
Scheda di catalogo di un dipinto toscano su tavola della prima metà del Trecento.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______4094::2a29b413015b61cd92fd9939f66e3b67
http://hdl.handle.net/11585/837452
http://hdl.handle.net/11585/837452
Autor:
Gianluca del Monaco
Since Roberto Longhi (1934-1935; 1950) modern scholarship has got a critical grasp of the original change Bolognese painting and illumination showed as a result of the epochal turn of Giotto’s new realism in the first half of fourteenth century. Ar
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______4094::efe584f5c4238b225020c20f32b88b44
http://hdl.handle.net/11585/837458
http://hdl.handle.net/11585/837458