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of 195
pro vyhledávání: '"Gianluca Cuozzo"'
“Mentre lo scorpione della favola di Esopo può giustificare il fatto di pungere la rana che sta traghettandolo sulla propria schiena dicendo “è la mia natura”, nessun umano potrà mai fare nulla di simile. Il gesto dello scorpione è irricevi
Autor:
Martin Thurner
Publikováno v:
Philosophischer Literaturanzeiger. 74:365-368
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::222ac33289f7b6c3830edba9a0e1ce7e
https://doi.org/10.3196/2194584519744118
https://doi.org/10.3196/2194584519744118
Autor:
Dall'Igna, Antonio
Il dipinto Luilekkerland (1567) del pittore fiammingo Pieter Bruegel, citato da Gianluca Cuozzo nel volumetto Gioco d’azzardo. La società dello spreco e i suoi miti, potrebbe rappresentare icasticamente la sazietà faustiana dell’uomo occidental
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::5553c7b6ce874a1c418a5ade74676093
Autor:
Tilliette, Xavier
Publikováno v:
Gregorianum, 2000 Jan 01. 81(2), 400-401.
Externí odkaz:
https://www.jstor.org/stable/23580687
Autor:
Gianluca Cuozzo
Publikováno v:
Internationale Zeitschrift für Kulturkomparatistik, Vol 7, Pp 61-95 (2022)
The “sfumato” is a new notion, both from an artistic and metaphysical viewpoint. Thanks to this concept, Leonardo brings the reflection on the nature of the cosmos to a level of surprising currency, thus overcoming the dichotomy between the human
Externí odkaz:
https://doaj.org/article/fc62902861ae441f8477afe736e44952
Autor:
Gianluca Cuozzo
Publikováno v:
Rivista di Estetica, Vol 78, Pp 197-213 (2021)
This essay explores the concept of responsibility with respect to today’s ecological and pandemic crisis. A fundamental category is identified in the ‘strategic repentance’, i.e. the ability to reconsider previous decisions taken following envi
Externí odkaz:
https://doaj.org/article/1f3dc68a0c9e4a3a9628f2cfc4240dee
Autor:
Gianluca Cuozzo
Publikováno v:
Internationale Zeitschrift für Kulturkomparatistik, Vol 3, Pp 9-34 (2021)
Alongside the relationship between philosophy and painting, in the fifteenth and sixteenth centuries, a speculative interest emerged in the concept of three dimensional vision in Cusa, Jan van Eyck, Marsilio Ficino, and Giorgione da Castelfranco. The
Externí odkaz:
https://doaj.org/article/f7d66ec406ef46f5af9dde37aaaafd61