Zobrazeno 1 - 10
of 15
pro vyhledávání: '"Giacomo Calorio"'
Autor:
Giacomo Calorio
Publikováno v:
Cinergie, Vol 6, Iss 11, Pp 82-91 (2017)
At a general level, the cultural practice known as cosplay may be considered a form of postproduction as it is based on appropriation and reuse of preexisting texts; more specifically, cosplay photographs represent a further link on the long chain of
Externí odkaz:
https://doaj.org/article/49d2d24489fa4d688b391f9e4ab4ba56
Autor:
Giacomo Calorio
Publikováno v:
Lingue Culture Mediazioni, Vol 3, Iss 2, Pp 55-71 (2017)
The Golden Lion won by Kurosawa Akira’s Rashomon in 1951 aroused worldwide interest towards Japanese cinema during the 1950s and 1960s, but mainly in its guise of period films. Indeed, while geisha and samurai stories tickled Western audience with
Externí odkaz:
https://doaj.org/article/8f1be4872a9d482cb5ec92c2af5e7743
Autor:
Giacomo Calorio
Publikováno v:
Cinergie, Vol 3, Iss 5, Pp 162-175 (2014)
Externí odkaz:
https://doaj.org/article/b8427632abf14faa8193fe8a7f62c516
Autor:
Giacomo Calorio, Giorgio Fabio Colombo
Publikováno v:
Law and Humanities. 14:83-112
This paper provides both lawyers and cinema experts with some insights about the depiction of law and criminal justice in films in Japan. In recent years, there has been an increasing interest of the Japanese movie industry towards ‘courtrooms dram
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::f588b8a75c80a26648e01f0715465740
https://doi.org/10.1080/17521483.2020.1729945
https://doi.org/10.1080/17521483.2020.1729945
Autor:
Giacomo Calorio
Publikováno v:
Studi e saggi ISBN: 9788855182591
要旨:『What is Japanese Cinema?』（日本映画とは何か）とは、著名な映画史研究者、四方田犬彦 の最新のエッセイの英訳版のタイトルである。四方 田はその序文で、「Japanese」という言葉に
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::338ad8a1f94599ce3fdf4326eccf68d1
https://doi.org/10.36253/978-88-5518-260-7.01
https://doi.org/10.36253/978-88-5518-260-7.01
Autor:
Giacomo Calorio
Nel 1979 Noël Burch pubblicava To the Distant Observer, uno dei testi più noti e discussi sul cinema giapponese. Cos'è cambiato quarant'anni dopo? Che ne è stato di quell'osservatore e di quella distanza? In un contesto digitale, polimorfo e conv