Zobrazeno 1 - 6
of 6
pro vyhledávání: '"Ghahreman S"'
Publikováno v:
Matn/Pizhūhī-i Adabī, Vol 24, Iss 86, Pp 103-126 (2020)
Whenever we speak of protest, our minds immediately turn to poets such as Akhavān-Sāless, Ahmad Shamlou, Siāvash Kasrāʾi, Hamid Mosaddeq, and Shafiei Kadkani, among others. Many people find it difficult to accept Sohrāb Sepehri's protest agains
Externí odkaz:
https://doaj.org/article/b1f1123f7e874b01b7767fe5ff068581
Publikováno v:
Matn/Pizhūhī-i Adabī, Vol 23, Iss 82, Pp 89-114 (2019)
The first manifestations of the widespread and coherent use of the modernist techniques in Persian fiction can be traced to the 1960s, and the works of those authors who mostly belonged to the circle “Isfahan Gathering”. Gradually, the modernist
Externí odkaz:
https://doaj.org/article/ef9491848a434a259c33a237e885c0dd
Autor:
Ghahreman Shiri, Minoo Mohammadi
Publikováno v:
تاریخ ادبیات, Vol 12, Iss 1, Pp 155-180 (2019)
The Tazkareh of the Dawlatshah Samarghandi (896 AH) is the most exceptional poet's Tazkareh in Iranian history and literature, despite of the fact that he has had many historical mistakes, the most information about the poets and their period of life
Externí odkaz:
https://doaj.org/article/a534efea21314caebbcd4129d7c1cd8b
Autor:
Hasofer, A.M., Ghahreman, S.
Publikováno v:
IEEE Transactions on Information Theory; 1989, Vol. 35 Issue 4, p868-873, 6p
Autor:
Ghahreman Shiri
Publikováno v:
Literary Arts, Vol 3, Iss 2, Pp 15-36 (2011)
Abstract In the Old Persian literature, ambiguity is of little importance. Only when talking of the figure of paradox, always along with two other synonymous terms i.e. Towjih and zoowajhein, at times ـ and not very often ـ they refer to ambiguity
Externí odkaz:
https://doaj.org/article/f6599f132676490c9296f194f67ee617
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