Zobrazeno 1 - 10
of 13
pro vyhledávání: '"Gerlov Van Engelenhoven"'
Autor:
Gerlov van Engelenhoven
Publikováno v:
International Journal for the Semiotics of Law, 34(3), 695-721. Springer Netherlands
International Journal for the Semiotics of Law, 1-27. Springer Science and Business Media LLC
STARTPAGE=1;ENDPAGE=27;TITLE=International Journal for the Semiotics of Law
International Journal for the Semiotics of Law, 1-27. Springer Science and Business Media LLC
STARTPAGE=1;ENDPAGE=27;TITLE=International Journal for the Semiotics of Law
Adat is originally an Arabic term meaning “custom” or “habit”, and was introduced by Islamic merchants in Maluku and throughout the Indonesian archipelago from the 1200s onward. The term was used as a way to refer to indigenous customs that c
Autor:
Sara Polak, Daniel Trottier, Qian Huang, Rashid Gabdulhakov, Tom Clucas, Frans-Willem Korsten, Ewelina Pepiak, Gerlov Van Engelenhoven, Greta Olson, Ann-Marie Riesner, Marjolein Lanzing, Katleen Gabriels, Stephanie Lotzow, Penelope Kemekenidou
‘Trolls for Trump’, virtual rape, fake news — social media discourse, including forms of virtual and real violence, has become a formidable, yet elusive, political force. What characterizes online vitriol? How do we understand the narratives ge
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::36dbd683be8f0a24a777a98aad180894
https://doi.org/10.5117/9789462989481
https://doi.org/10.5117/9789462989481
Autor:
van Engelenhoven, Gerlov
Publikováno v:
Vooys; dec2022, Vol. 40 Issue 4, p61-64, 4p
Publikováno v:
Thamyris/Intersecting: Place, Sex & Race; 2015, Vol. 29, p329-342, 14p
Autor:
van Engelenhoven, Gerlov
Publikováno v:
International Journal for the Semiotics of Law; Jul2021, Vol. 34 Issue 3, p695-721, 27p
Publikováno v:
Vooys; dec2022, Vol. 40 Issue 4, p3-4, 2p
Autor:
Moser, Christian, Boletsi, Maria
Publikováno v:
Thamyris/Intersecting: Place, Sex & Race; 2015, Vol. 29, p11-28, 18p
Autor:
Jonas Wolf
YouTube features a wide array of multimodal musical figurations, including fan-made music videos, musical aestheticisations of pre-circulating content, and musical self-performances. Jonas Wolf explores open-ended forms of musical creative relay on Y