L’art est-il anecdote ou réalité ?

Autor: Georges Sadoul

Publikováno v: 1895. :194-200

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::d7089a5729bc957b8f5418bb6db3ef35
https://doi.org/10.4000/1895.9059

La profondeur de champ et la crise du sujet en débat (1945-1949)

Autor: André Bazin, Georges Sadoul

Publikováno v: 1895. :126-143

1. L’equivalent du montage moderne (1945 et 1947) [par Georges Sadoul] […] La poursuite dramatique avait apparu, sous une forme assez elementaire dans un film de Williamson l’Attaque d’une mission en Chine, actualite reconstituee au moment de

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::5a1341aaadfdde67159982e2a5ee33cd
https://doi.org/10.4000/1895.4538

Im Zeichen des Surrealismus (1924–1938)

Autor: André Breton, Yvan Goll, Ilarie Voronca, Francis Picabia, Bruno Gordesiani, Louis Aragon, Antonin Artaud, Jacques Baron, Joë Bousquet, J. -A. Boiffard, Jean Carrive, René Crevel, Robert Desnos, Paul Eluard, Max Ernst, T. Fraenkel, Francis Gérard, Michel Leiris, Georges Limbour, Mathias Lübeck, Georges Malkine, André Masson, Max Morise, Pierre Naville, Marcel Noll, Benjamin Péret, Raymond Queneau, Philippe Soupault, Dédé Sunbeam, Roland Tual, Michel Seuphor, Marcel Lecomte, Paul Nougé, Georges Altmann, Georges Aucouturier, Jean Bernier, Victor Crastre, Camille Fégy, Marcel Fourrier, Paul Guitard, G. Montrevel, Camille Goemans, André Barsalou, Gabriel Beauroy, Emile Benvéniste, Norbert Gutermann, Henri Jourdan, Henri Lefebvre, Pierre Morhange, Maurice Muller, Georges Politzer, Paul Zimmermann, Maxime Alexandre, Georges Bessière, Monny de Boully, Pierre Brasseur, Paul Éluard, Theodore Fraenkel, Douchan Matitch, Georges Neveux, Jacques Viot, Hermann Closson, Henri Jeanson, Pierre de Massot, Georges Ribemont-Dessaignes, Vincent Huidobro, Ljubomir Micić, Fernand Léger, César Vallejo, José Carlos Mariategui, Sebastià Gasch, null Arp, Jacques-André Boiffard, Marcel Duhamel, Jean Genbach, Paul Hooreman, Eugène Jolas, George Malkine, Elliot Paul, Jaques Prévert, Man Ray, Georges Sadoul, Yves Tanguy, Pierre Unik, Jindřich Štyrský, null Toyen, Vitëzslav Nezval, Salvador Dali, Lluis Montanyá, Saşa Panä, Oswald de Andrade, Karel Teige, S. M. Eisenstein, W. I. Pudowkin, G. W. Alexandrow, null Feuerträger, null Alexandre, null Aragon, null Buñuel, null Char, null Crevel, null Dalí, null Eluard, null Ernst, null Malkine, null Péret, null Sadoul, null Tanguy, null Thirion, null Unik, null Valentin, Aleksandar Vučo, Dorde Jovanović, Dušan Matić, Marko Ristić, null Carlsund, null Doesburg, null Hélion, null Tutundjian, null Wantz, Pablo Antonio Cuadro, Hans Arp, Samuel Beckett, Carl Einstein, Eugene Jolas, Thomas McGreevy, Georges Pelorson, Theo Rutra, James J. Sweeney, Ronald Symond, Hendrik Werkman, null Galdikas, null Gudaitis, null Jonynas, null Kulakauskas, null Mikènas, null Samulevičius, null Vizgirda, René Magritte, E.-L.-T. Mesens, Jean Scutenaire, Maurice Singer, André Souris, Achille Chavee, Jean Dieu, Fernand Dumont, Marcel Havrenne, André Lorant, Albert Lude, Max Servais, Oscar Dominguez, Maurice Heine, Maurice Henry, Georges Hugnet, Sylvain Itkine, Marcel Jean, Dora Maar, Léo Malet, Marie-Louise Mayoux, Jehan Mayoux, E.-L.-T. Mésens, Meret Oppenheim, Henri Parisot, Robert Valançay, Adolphe Acker, Pierre Aimery, Georges Ambrosino, Georges Bataille, null Bernard, Roger Blin, Jacques Brunius, Claude Cahun, Louis Chavance, Jacques Chavy, René Chenon, Jean Dautry, Jean Delmas, Henri Dubief, Jean Duval, Jacques Fischbein, Lucien Foulon, Reya Garbag, Arthur Harfaux, Maurice Henri, Janine Jane, Pierre Klossowski, null Loris, Suzanne Malherbe, Georges Mouton, Henry Pastoureau, Germaine Pontabrie, Vítezlav Nezval, Eileen Agar, Edward Burra, Hugh Sykes Davies, Mervyn Evans, David Gascoyne, Charles Howard, Humphrey Jennings, Rupert Lee, Sheila Legge, Len Lye, E. L. T. Mesens, Henry Moore, Paul Nash, Roland Penrose, Herbert Read, Georges Reavey, Roger Roughton, Ruthven Todd, Julian Trevelyan, Magdeleine Maurice Paz, Paul Rivet, null Alain, Paul Desjardins, Marcel Martinet, Georges Dumoulin, null Jean-Galtier-Boisière, Félicien Challaye, Jeanne Michel Alexandre, Georges Michon, Léon Werth, null Emery, Georges Pioch, Henry Poulaille, L. Cancouet, Victor Margueritte, André Philip, Jean Giono, Lucien Jacques, Germain Decaris, Charles Vildrac, null Largentier, null Goudchaux-Brunschwig, Betty Brunschwig, Pierre Loewel, Suzanne Lévy, Ludovic Massé, André Alba, René Lalou, Jacques Prévert, null Hagnauer, null Charbit, null Wullens, Pierre Monatte, Louis Gabrielle Bouet, Elie Reynier, Lucie Colliard, null Guigui, Camille Drevet, Gouttenoire de Toury, R. Louzon, Daniel Guérin, Dr. Mabille, Maurice Weber, Fernand Crommelynk, null Bovet, null Chambelland, null Zoretti, null Jospin, A. Limbour, Gérard Rosenthal, Jean Van Heyenoort, null Dommaget, Georges Boris, null Caillaud, null Barrué, Marthe Pichorel, Pierre Ogouz, null Depreux, null Weil-Curiel, Jules Romains, Ezra Pound, Diego Rivera, Die Surrealistische Gruppe

Publikováno v: Manifeste und Proklamationen der europäischen Avantgarde (1909–1938) ISBN: 9783476020758

»Die Krafte des Rausches fur die Revolution zu gewinnen«, nennt Walter Benjamin als Intention des Surrealismus. Mit einem doppelten Paukenschlag manifestiert sich der Surrealismus im Herbst 1924: durch das Erscheinen von Andre Bretons »Manifest«

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::f757be7138ce8c04576c6807d5c989f3
https://doi.org/10.1007/978-3-476-00104-7_4

English Influences on the Work of Edwin S. Porter

Autor: Yvonne Templin, Georges Sadoul

Publikováno v: Hollywood Quarterly. 3:41-50

scope. Louis Lumiere aimed his lens at the favorite subjects of the Kodak amateurs. Georges Melies developed his sets by taking over the resources of the theater-sets, actors, scripts, mechanism, etc.,-and created motion picture technique with tricks

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::0f47c5e5b677c75922d8447fe26fa880
https://doi.org/10.2307/1209631

The Postwar French Cinema

Autor: Georges Sadoul

Publikováno v: Hollywood Quarterly. 4:233-244

in a state of chronic crisis for the last thirty years. The industry operates on a very narrow basis in France. In a country where half the population lives in the country or in small villages, there are relatively few motion picture theaters, and at

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::eb4ce10c1c8adae414fa5404d748fb56
https://doi.org/10.1525/fq.1950.4.3.04a00030