Zobrazeno 1 - 10
of 47
pro vyhledávání: '"Geoffrey Haresnape"'
Autor:
Geoffrey Haresnape
Publikováno v:
Shakespeare in Southern Africa. 33
King Lear has been extensively used by Shakespearean critics in South Africa for the discussion of land ownership issues. This essay alludes to the work of Martin Orkin and Nicholas Visser, who brought postcolonial and materialistic critiques to bear
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::57ad9f88c62a4aeb5ffe868dcb18928e
https://doi.org/10.4314/sisa.v33i1.6
https://doi.org/10.4314/sisa.v33i1.6
Autor:
Geoffrey Haresnape
Publikováno v:
English Academy Review. 36:117-120
Who is the more engaging to the curious reader: the poet who writes verses for a specialized market, or the critic who chooses that poet in order to become an exponent of his life and work? That is...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::015f4f3d83a156dbf2cca89c28535538
https://doi.org/10.1080/10131752.2019.1576981
https://doi.org/10.1080/10131752.2019.1576981
Autor:
Geoffrey Haresnape
Publikováno v:
English Academy Review. 32:152-159
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::41be65e5e6a95f19f140098d34aaef0c
https://doi.org/10.1080/10131752.2015.1086168
https://doi.org/10.1080/10131752.2015.1086168
Autor:
Geoffrey Haresnape
Publikováno v:
English Academy Review. 33:112-114
Mom told me I was English and called the UK ‘home’–though she’d been born in what the locals called P.E.She did not go outside the country in her life.Dad was the son of settler folks from Derbyshi...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c90245ca37218c0665323f442dee98ba
https://doi.org/10.1080/10131752.2016.1249673
https://doi.org/10.1080/10131752.2016.1249673
Autor:
Geoffrey Haresnape
Publikováno v:
English Academy Review. 35:151-152
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a1a49511b828f8b3c565a76351989c6c
https://doi.org/10.1080/10131752.2018.1483423
https://doi.org/10.1080/10131752.2018.1483423
Autor:
Geoffrey Haresnape
Publikováno v:
English Academy Review. 29:148-151
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7bc8b1bc1d833c56015e6e8a71d799ec
https://doi.org/10.1080/10131752.2012.730196
https://doi.org/10.1080/10131752.2012.730196
Autor:
Geoffrey Haresnape
Publikováno v:
English Academy Review. 26:82-89
Working on the assumption that a poem may be regarded as a verbal bridge between its creator and a recipient, the author offers an account of how ‘The Chimes’ came to be written. He realizes that such an account may not accord with a recipient's
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::507674a305cfb7edcb1de22fe1e30e46
https://doi.org/10.1080/10131750903336122
https://doi.org/10.1080/10131750903336122
Autor:
Geoffrey Haresnape
Publikováno v:
Shakespeare in Southern Africa; Vol 27 (2015); 61-69
In the just on sixty years over which an annual Shakespearean play has been given at the Maynardville Theatre-in-the-Park in Wynberg, Cape Town, Othello has been staged four times. I happen to have seen all four productions, and what follows is both
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::65e3ac878807e5695ca25694b76dbfcf
https://www.ajol.info/index.php/sisa/article/view/122554
https://www.ajol.info/index.php/sisa/article/view/122554
Autor:
Geoffrey Haresnape
Publikováno v:
English Academy Review. 31:108-110
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::dae07ec3a3657b8952d742b132ed38eb
https://doi.org/10.1080/10131752.2014.909077
https://doi.org/10.1080/10131752.2014.909077