Zobrazeno 1 - 10
of 20
pro vyhledávání: '"Genevieve Warwick"'
Autor:
Genevieve Warwick
Cinderella's Glass Slipper studies Renaissance material cultures through the literary prism of fairy-tale objects. The literary fairy-tale first arose in Renaissance Venice, originating from oral story-telling traditions that would later become the A
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2c08c6bc5eb5e7977f50956c3fc37bbb
https://doi.org/10.1017/9781009263948
https://doi.org/10.1017/9781009263948
Autor:
Genevieve Warwick
Publikováno v:
The Seventeenth Century. 37:512-513
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b24f02a62a43b4dcbe764c3392cf8cf4
https://doi.org/10.1080/0268117x.2022.2049498
https://doi.org/10.1080/0268117x.2022.2049498
Autor:
Genevieve Warwick
Publikováno v:
Warwick, G 2020, ' Crying Laocoon : The visual arts of translation ', Translator: Studies in Intercultural Communication, vol. 25, no. 4, pp. 311-334 . https://doi.org/10.1080/13556509.2020.1734278
The essay charts the shifting place of Laocoon as an exemplum of translation across the arts of word and image from Pliny to Clement Greenberg. It uncovers a rich history of artistic translation, reproduction, and imitation of Laocoon in Renaissance
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::fa4911e40eff4675357866eadb128687
https://doi.org/10.1080/13556509.2020.1734278
https://doi.org/10.1080/13556509.2020.1734278
Autor:
Genevieve Warwick
One of the key pictorial developments of Renaissance art was a conceptualisation of painting as a mirror reflection of the visible world. The idea of painting as specular was argued in Renaissance art theory, demonstrated in art practice, and repres
Autor:
Genevieve Warwick
Publikováno v:
Warwick, G 2017, ' Memory's Cut : Caravaggio's Sleeping Cupid of 1608 ', Art History, vol. 40, no. 4, pp. 884-903 . https://doi.org/10.1111/1467-8365.12345
Caravaggio’s late painting of a Sleeping Cupid has long been recognized as a mimetic engagement, as well as reversal, of classical traditions of antique sculpture. This paper probes the troubled relationship of Caravaggio’s Cupid with that of its
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::ea366bb24dc5b291874b51831ba7c9d9
https://doi.org/10.1111/1467-8365.12345
https://doi.org/10.1111/1467-8365.12345
Autor:
Genevieve Warwick
Publikováno v:
Warwick, G 2016, ' Looking in the mirror of Renaissance art ', Art History, vol. 39, no. 2, pp. 255-281 . https://doi.org/10.1111/1467-8365.12237
This paper proceeds through a dual focus by bringing together for the first time the use of the mirror in art-making and art viewing, in order to redefine our understanding of Renaissance painting. It considers the mirror both as an instrument of art
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::d1cb4aae49598a8246341946a32f51b2
https://doi.org/10.1111/1467-8365.12237
https://doi.org/10.1111/1467-8365.12237
Autor:
Genevieve Warwick, Richard Taws
Publikováno v:
Warwick, G & Taws, R 2016, ' After Prometheus : Art and technology in early modern Europe ', Art History, vol. 39, no. 2, pp. 199-209 . https://doi.org/10.1111/1467-8365.12234
The writing of art’s histories rests substantially, if for the most part tacitly, on an underlying account of technological change and development. This volume embarks on a history of that technological substrate as it pertains to the making and vi
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::65fd58a51902ac9a3dd0c96b736fabb3
https://doi.org/10.1111/1467-8365.12234
https://doi.org/10.1111/1467-8365.12234
Autor:
Gavin Parkinson, Genevieve Warwick
Publikováno v:
Warwick, G 2017, ' Art History 40 : Reading, Writing, Remembering ', Art History, vol. 40, no. 4, pp. 696–703 . https://doi.org/10.1111/1467-8365.12344
This introductory essay frames the collected essays for this commemorative special issue of Art History on Image and Memory. For the first time, the past and present editors of Art History over its 40-year publication history are gathered together to
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::d2eca1dd58267c0c903d75ae6a47b8c6
https://hdl.handle.net/20.500.11820/366055b5-d316-42c9-a81c-3db14247eb06
https://hdl.handle.net/20.500.11820/366055b5-d316-42c9-a81c-3db14247eb06
Autor:
Genevieve Warwick
Publikováno v:
The Seventeenth Century. 29:1-29
This essay argues that Bernini orchestrated the relief surfaces of his sculptures through an exacting science of optical perception. It connects his understanding of the relief structure of his sculptural work to Galileo’s contemporaneous discovery
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e3dd98e826a4afe433723055f9e17c4c
https://doi.org/10.1080/17496977.2013.879821
https://doi.org/10.1080/17496977.2013.879821